“Parade”

The Outer Critics Circle (OCC) Announces the Winners of the 72nd Annual Outer Critics Circle Awards Commemorating the 2022-2023 Broadway and Off-Broadway Season

The Outer Critics Circle (OCC), the official organization of writers on New York theatre for out-of-town newspapers and national publications, is pleased to announce the winners of the 72nd Annual Outer Critics Circle Awards, honoring the 2022-2023 Broadway and Off-Broadway season. The awards ceremony honoring the winners will take place on Thursday, May 25 at 3:00PM in the Bruno Walter…

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Broadway Review: “Parade” at the Bernard B. Jacobs Theatre (Currently On)

March 23, 2023 | Broadway > | "Parade", Alex Joseph Grayson, Alfred Uhry, Ashlyn Maddox, Aurelia Williams, Bailee Endebrock, Ben Platt, Bernard B. Jacobs Theatre, Beth Kirkpatrick, Caroline Fairweather, Charlie Webb, Christopher Gurr, Courtnee Carter, Dane Laffrey (scenic design), Danielle Lee Greaves, Douglas Lyons, Eddie Cooper, Emily Rose DeMartino, Erin Rose Doyle, Florrie Bagel, Harold Prince, Harry Bouvy, Heather Gilbert (lighting design), Howard McGillin, Jackson Teeley, Jake Pedersen, Jason Robert Brown, Jay Armstrong Johnson, Joan Marcus, Jon Weston (sound design), Joseph Verlezza, Kelli Barrett, Kimberlee Wertz (music coordinator), Lauren Yalango-Grant & Christopher Cree Grant (choreography), Manoel Felciano, Max Chernin, Micaela Diamond, Michael Arden, Paul Alexander Nolan, Prentiss E. Mouton, Ryan Vona, Sean Allan Krill, Sophia Manicone, Stacie Bono, Susan Hilferty (costume design), Sven Ortel (projection design), Tanner Callicutt, Telsey + Co / Craig Burns, Theatre Reviews Limited, Tom Murray (music director/conductor), Tom Watson (hair and wig design), William Michals

The musical “Parade” opened on Broadway in 1998 and was subject to a short run, closing in February of 1999 before eventually winning two TONY awards for Best Book of a musical by Alfred Uhry and Best Original Score by Jason Robert Brown. This original production received critical acclaim but was received poorly by audience members, sighting the subject matter…

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Video on Demand Review: San Francisco Playhouse’s “Song for a New World” (through December 31, 2020)

It is not at all news that theatre stages throughout the world have been dark and empty since the outbreak of COVID 19 and the rise of this virus to pandemic proportions, but it is also a redeeming fact that an incredible number of theater companies has begun to reinvent the collaborative art form, hoping to reach their audience through…

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Broadway Review: Manhattan Theatre Club’s “Prince of Broadway” at the Samuel J. Friedman Theatre

Some audience members attending the engaging “Prince of Broadway,” currently running at the Samuel J. Friedman Theatre, might find themselves caught between the devil and the deep blue sea: either they are unforgiving musical theatre aficionados and find themselves constantly comparing the iconic musical numbers with the original Broadway production of the shows from which they come, or they have…

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