“By the sweat of your face You will eat bread, Till you return to the ground, Because from it you were taken; For you are dust, And to dust you shall return.” Genesis 3:19 On its first return to New York City since it was featured in FringeNYC 2014, “Dust Can’t Kill Me” is a powerful and delightfully complicated trope…
“Yeah, it’s always summer somewhere.” – Smelly, Act II, “Camp Rolling Hills” The sixth musical number in “Camp Rolling Hills” is “A Reason to Smile” in which Slimey (camper Stephanie Gregson’s nickname) tries to convince new camper Smelly (camper Robert Benjamin’s nickname) that although “divorce isn’t easy soon you’ll see it’s not so bad.” This advice comes from a girl…
Brett Sullivan’s “The Last Word” is a delightful new musical with a great deal to offer. Mr. Sullivan and his creative team have carefully thought through a musical that features an outstanding cast, a fully developed story with a clear dramatic arc, and an engaging theme that readily connects to the audience. “The Last Word” is one of the few…
The most significant accomplishment of the new musical “Tink!” is that it will send you flying back to the J.M. Barrie classic, yearning to reclaim the magic and fantasy created by the adventures of Peter Pan, which is sorely missing in this current production, examining the backstory of the infamous fairy Tinkerbell. The book by Anthony Marino strips this lovable…
Never has a musical been so at war with itself than is “Lisa and Leonardo,” the new musical that finished its run at the New York Musical Festival on Thursday July 28, 2016. It is difficult to know how a talented and experienced creative team could create a musical that in almost two and a half hours’ time fails to…
Creating a musical based on two Edgar Allen Poe short stories, “How to Write a Blackwood Article” and “A Predicament”, is no easy task given the subject matter and the genre. In this day and age competing with horror films, given the amazing special effects available, trying to frighten, shock or terrify an audience with a stage play, let alone…
A tiny foreign nation, a people’s princess, a gay prince, an arranged marriage, a scandal, a revolution, and a fire that destroys lovers’ hopes and dreams certainly makes interesting material for good old-fashioned musical theater. “Perfect,” the opening number of the new musical “Icon,” is derivative of Kander and Ebb in style and tempo and explodes onto the stage to…
Jaime Lozano’s and Lauren Epsenhart’s new musical from Mexico follows successful entrepreneur Raul’s (Mauricio Martinez) return to his childhood seaside home to visit his ailing grandmother Marina (April Ortiz). The musical begins in the present and, through a series of flashbacks introduces the characters, their conflicts, and how those conflicts brought them and Raul to the present. After seeing his…
“It’s not always the way it is in plays. Not all faggots bump themselves off at the end of the story!” – Michael in “The Boys in the Band” by Mart Crowley (1968) It must be said that it is refreshing to find a young, talented member of the LGBTQ community using their voice to bring awareness to a valid…
“The medium is the message.” – Marshall McLuhan Evangelist preacher Adamenses Huckster (Geoff Davin) is a huckster indeed. Her “redemptive” message seems simple enough: “You can choose to see things differently.” And that is exactly what the revivalist hopes to accomplish in her fifth annual benefit concert, revival, and pot luck dinner for her First Church of Mary, the Repentant…