Directed by Karen Carpenter
Reviewed by David Roberts
Theatre Reviews Limited
“Witnessed by the World” at 59E59 Theater B (Through December 15)
Written by Ronnie Cohen and Jane Beale
Directed by Karen Carpenter
Reviewed by David Roberts
Theatre Reviews Limited
With thousands of books published about John F. Kennedy, including tomes promulgating a variety of assassination conspiracy theories, it would seem risky to write a script about the events surrounding yet another conspiracy theory. Notwithstanding, Ronnie Cohen and Jane Beale decide to take that risk on the 50th Anniversary of Kennedy’s assassination with their new “Witnessed by the World” currently playing at 59E59 Theater B. It is regrettable to report that their concerted effort does not result in the success they most likely anticipated. The production falls flat on almost every level.
The playwrights’ script seems weak and predictable and Ms. Carpenter’s direction leaves the cast performing on the same emotional level throughout the ninety minute play. The production is further hampered by a set design that often appears more cluttered than sparse and although the “chalk drawing” projections that establish setting provide some interest, they cannot compete with the rest of the set’s deficiencies. And the black-outs between scenes are distracting and unnecessary.
“Witnessed by the World” has a stellar cast. Unfortunately these accomplished actors seem to deliver no more than lackluster performances. They seem not to be engaged with the script or with the inner workings of their characters. Even characters that might have some interesting traits fall flat on stage. For example, the announcement of Jack Ruby’s sister Eileen Kaminsky’s (Lois Markle) untimely death – first to screenwriter Ira Basil (Max Gordon Moore) then to acclaimed reporter Joan Ross (Charlotte Maier) seems to have the same emotional vector as mobster Joe Capano’s (Joe Tapper) offer of coffee to Aaron Spencer (Bob Ari) in his liquor store.
This lack of energy detracts from the impact the play might have with more energetic direction and a more functional set. It is intriguing that those involved in a conspiracy theory fifty years ago might still be interested in covering up their tracks; however, this premise might not provide the most interesting dramatic composition.