The Broadhurst Theatre

Broadway Review: “The Hills of California” at The Broadhurst Theatre (Extended through Sunday, December 22, 2024)

September 30, 2024 | Broadway > | "The Hills of California", Amy Ball (UK casting director, Bryan Dick, Cameron Scoggins, Campbell Young Associates (wigs, Candida Caldicot (musical supervision and arrangements), Charles M. Turner III (production stage manager), David Roberts, David Wilson Barnes, Ellen Kane (choreography), Ellyn Heald, Erin Rose Doyle, Gemma Fuller (associate choreographer), hair & makeup design), Helena Wilson, Jessica Baglow, Jez Butterworth, Jim Carnahan CSA, Joan Marcus, Joan Sergay (US associate director), JV Mercanti (US casting director), Kate Wilson (dialect coach), Lara McDonnell, Laura Donnelly, Leanne Best, Liam Bixby, Liz Pearce, Max Roll, Nancy Allsop, Natasha Chivers (lighting design), New York Theatre Reviews, Nick Powell (composer, Nicola Turner, Ophelia Lovibond, Q. Smith, Richard Lumsden, Richard Short, Rob Howell (designer), Sadie Veach, Sam Mendes, Sara Brians (US associate choreographer), Sawyer Barth, Sophia Ally, sound design and arrangements), Ta’Rea Campbell, The Broadhurst Theatre, Theatre Reviews, Theatre Reviews Limited, Verity Naughton (UK young persons’ casting director), Zoé Ford Burnett (associate director)

In Jez Butterworth’s “The Hills of California,” the four Webb sisters gather in the summer of 1976 at Seaview the guesthouse on the outskirts of Blackpool, an English seaside resort on the Irish Sea, where their mother Veronica (a once demanding and selfish Laura Donnelly) lies dying upstairs in what was their childhood home. Jill (an angst-ridden and spinsterish Helena…

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Broadway Review: “Frankie and Johnny in the Clair de Lune” at the Broadhurst Theatre

“Pretend that we’re the only two people in the entire world, that’s what I’m doing, and it all falls into place.” – Johnny to Frankie Moonlight – the kind of light that shines into Frankie’s (Audra McDonald) apartment window at night – provides the best light for pretending. The kind of pretending that has the chance of making an incursion…

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