Telsey + Co/Karyn Casl

Off-Broadway Review: “Hold on to Me Darling” at the Lucille Lortel Theatre (Through Sunday, December 22, 2024)

Strings McCrane (a complex, unsettled, and conflicted Adam Driver) did not need to be overly mindful when he was a world-famous country and western singer and a movie star: he had teams deciding what was best for his present and future career, thus unburdening him from the pressure and uncertainty of being mindful about anything. After his mother’s untimely death…

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Off-Broadway Review: “The Welkin” Never Comes to a Verdict at Atlantic Theater Company (Through Sunday, July 7, 2024)

Twenty-one-year-old Sally Poppy (a powerful yet broken Haley Wong) is convicted of murdering young Alice Wax and sentenced to hang in March of 1759 on the border of Norfolk and Suffolk, in England. Sally claims she is pregnant and if that is true, she cannot be hanged. To determine the truth of Sally’s claim, the Justice “calls for a jury…

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Off-Broadway Review: “Anatomy of a Suicide” at Atlantic Theater Company’s Linda Gross Theater

“The Fact, the very Fact that it is biologically possible is Devastating. I need to know that I am where it ends.” – Bonnie to Diane If a suicide could be dissected, what would be found that explained its provenance, it’s development, it’s cure? The morphology of a suicide is examined in Alice Birch’s dense “Anatomy of a Suicide” currently…

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Off-Broadway Review: “Seared” in the Susan & Ronald Frankel Theater at the Robert W. Wilson MCC Theater Space

Successful entrepreneurs like Harry (an overzealous but hypersensitive Raúl Esparza) typically attempt to guard their “art” from “commerce” for as long as possible. They feel frightened by the prospect of commercial success overwhelming their sense of artistic integrity. At least that is Harry’s point of view in Theresa Rebeck’s “Seared” currently running in the Susan & Ronald Frankel Theater at…

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Broadway Review: “The Sound Inside” at Studio 54

“In this poetic exploration of the auditory imagination, the third in his series on sonic aesthetics, Seán Street peoples silence with sound, travelling through and the shadow lands of the inner psyche. Our mind is a canvas on which the colours of the sound world leave permanent impressions. It is the root of all listening.” – “The Sound inside the…

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Off-Broadway Review: “Sunday” at Atlantic Therater Company’s Linda Gross Theater

Jack Thorne’s “Sunday,” currently running at Atlantic Theater Company’s Linda Gross Theater, seems to elicit one of two responses: disappointment or robust enthusiasm. A group of Gen Z friends gather in a New York City apartment for one of what has become Sunday Book Club gatherings. This Sunday’s meeting is at Marie’s (a somewhat broken and conflicted Sadie Scott) and…

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Off-Broadway Review: “The Mother” in the Linda Gross Theater at Atlantic Theater Company

Somewhere in France, or perhaps in England in the nineteenth century, a young married woman is standing at the kitchen sink washing dishes after an evening meal. A dish slips from her hand, breaking I pieces as it hits the floor. The young woman begins to cry, sob really. Her husband not understanding any of this “odd behavior,” reaches out…

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Off-Broadway Review: “Blue Ridge” at Atlantic Theater Company’s Linda Gross Theater

Abby Rosebrock introduces an interesting mélange of broken characters in her new play “Blue Ridge” currently running at Atlantic Theater Company’s Linda Gross Theater. She drops these six disparate “recovering” personalities into the vortex of a Christian halfway house in the Blue Ridge Mountains of western North Carolina. Pastor Hern (a cagey but caring Chris Stack) and his partner Grace…

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Off-Broadway Review: “Fireflies” Redefines Love and Hope at Atlantic Theater Company’s Linda Gross Theater

It is clear from the start of Donja R. Love’s “Fireflies” that Olivia Grace (DeWanda Wise) is among the disconsolate: Olivia is languishing: Olivia’s wounded heart needs healing. There is a fire in Olivia’s soul that counterpoints the fire in the 1963 Fall sky above the home in the Jim Crow South she shares with her preacher-activist husband Charles Emmanuel…

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Off-Broadway Review: “Collective Rage: A Play in 5 Betties” at MCC Theater’s Lucille Lortel Theatre

By agreeing to carefully examine the sex-role stereotypes attributed to women, five disparate women named ‘Betty’ cautiously approach self-acceptance and self-understanding in Jen Silverman’s “Collective Rage: A Play in 5 Betties” at MCC Theater’s Lucille Lortel Theatre. Their collective rage about their loneliness, their fears, their submission, and their dismissions by men is a welcomed examination of gender and sexual…

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