Some audience members attending the engaging “Prince of Broadway,” currently running at the Samuel J. Friedman Theatre, might find themselves caught between the devil and the deep blue sea: either they are unforgiving musical theatre aficionados and find themselves constantly comparing the iconic musical numbers with the original Broadway production of the shows from which they come, or they have…
August Wilson is having a banner year—especially for someone who has been dead since 2005. The good news is that the playwright had great success while he was living (two Pulitzers among numerous other awards). He is best known for what is called the American Century cycle, one drama a decade that chronicles African American lives in the Hill district…
“You’re not. You can hear it. That’s not listening to it. That’s different from listening./You need to follow it. The melody. Try to predict what will happen to it next. It will completely take you by surprise./That’s the secret that nobody knows about music./Music doesn’t exist in the notes. It exists in the spaces between the notes.” – Alex Priest…
“With Blue – uncertain stumbling Buzz – Between the light – and me – And then the Windows failed – and then I could not see to see.” (Emily Dickenson, “I heard a Fly buzz” – No. 465) Anne (Kathryn Erbe) was “scared of [her father André] when [she] was little.” In the present – as he battles his advanced Alzheimer’s – André is more childlike, requesting Anne sing him…
Performances began on Tuesday March 22, for Manhattan Theatre Club’s American premiere of The Father, the new play by Molière Award winner Florian Zeller, in a translation by two-time Tony Award winner Christopher Hampton (Sunset Boulevard, Les Liaisons Dangereuses, God of Carnage), in a new production directed by Tony Award winner Doug Hughes (Doubt, Outside Mullingar, City of Conversation) at MTC’s Samuel J. Friedman…