Playwright Madeleine George sets her “Hurricane Diane” in an Early Anthropocene Time, the era defined as “the current geological age, viewed as the period during which human activity has been the dominant influence on climate and the environment.” Most, except members of the current Administration, see that influence to have been deleterious at best and are aware of the dire…
The Clubbed Thumb, True Love, and New York Theatre Workshop production of What the Constitution Means to Me will come to Broadway this spring for a 12-week limited engagement, beginning performances at the Helen Hayes Theater (240 W 44th Street, New York, NY) on March 14, 2019, with opening night scheduled for March 31. Heidi Schreck’s timely and galvanizing play, directed by Oliver Butler, became a sensation off-Broadway…
Producers Mara Isaacs, Dale Franzen, Hunter Arnold, and Tom Kirdahy announced today that “Hadestown,” the new musical by celebrated singer-songwriter Anaïs Mitchell, developed with visionary director and Tony Award® nominee Rachel Chavkin, will transfer this spring to Broadway’s Walter Kerr Theatre (219 West 48th Street). Preview performances for “Hadestown” will begin Friday, March 22 ahead of a Wednesday, April 17…
After greeting the audience at New York Theatre Workshop, playwright Heidi Schreck introduces her play “What the Constitution Means to Me” as follows: “When I was 15 years old, I travelled the country giving speeches about the Constitution at American Legion halls for prize money. This was a scheme invented by my mom, who was a debate coach, to help…
In the new play “Amy and the Orphans,” disability, dysfunction, and delusion are the contentious components that drive an anomalous family unit to a place they were not expecting to visit called reality. Presented by Roundabout Theater Company at The Laura Pels Theatre, the play is carefully and skillfully penned by Lindsey Ferrentino, is inspired by her own family members,…
Watching “Tiny Beautiful Things” at The Public’s Newman Theater can be described as experiencing the vicissitudes of the human experience through the kaleidoscopic lens of sheer redemptive grace. The broken hearted, the beaten down, the bereft, and the “just broken” send their questions on coping, overcoming, and raging against all forms of the “dying of the light” to “Sugar” (Nia…