Pershing Square Signature Center

Off-Broadway Review: The New Group’s “Babe” at The Pershing Square Signature Center’s Alice Griffin Jewel Box Theater (Through Sunday, December 22, 2024)

Abby (Marisa Tomei) has co-produced records with Gus (Arliss Howard) for thirty-two years. She had been his right hand, but her name never appears on the album as co-producer. She finds talent. Gus takes the credit. Recognition is not the only problem. Gus is a misogynist and a prime example of toxic masculinity in the workplace and elsewhere. Abby colludes…

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Off-Broadway/Dance Review: “Ain’t Done Bad” at The Pershing Square Signature Center’s Irene Diamond Stage (Closed Sunday, September 1, 2024)

Jakob Karr’s “Ain’t Done Bad,” currently running at the Irene Diamond Stage, portrays the familiar story of a young LGBTQ man (Jakob Karr) attempting to grapple with his sexual identity in an abusive home atmosphere. His mother (Megumi Iwama) is supportive but his father (Adrian Lee), who is verbally and psychologically abusive to the son’s brother (Ian Spring), mostly keeps…

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Off-Broadway Review: “Three Houses” at Signature Theatre’s Linney Theatre (Closed on Sunday, June 9, 2024)

Dave Malloy’s “Three Houses currently running at Signature Theatre’s Linney Theater is a retelling/interpretation of the classic fairy tales “The Three Little Pigs” and “Red Riding Hood” (among other cautionary folklore narratives) in which The Big Bad Wolf appears. Stand-ins for Little Red Riding Hood and those Three Little Pigs are Susan (a manic and hedonistic Margo Seibert), Sadie (a…

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Off-Broadway Review: “The Seven Year Disappear” at the Pershing Signature Center (Closed on Sunday, March 31, 2024)

As patrons enter the performance of Jordan Seavey’s “The Seven Year Disappear” at The Pershing Square Signature Center, they see Miriam (Cynthia Nixon) sitting across from her thirty-something son Naphtali (Taylor Trensch). The two are motionless and intently staring at one another in the style of Yugoslav performance artist Marina Abramović facing off with a MoMA patron in the famed…

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Off-Broadway Review: The New Group’s “Evanston Salt Costs Climbing” at Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre (Closed Sunday, December 18, 2022)

If Will Arbery’s “Evanston Salt Costs Climbing were an absurdist play, its non-sense narrative might make some sense. However, this is not a “Waiting for Godot” for post-pandemic Evanston, Illinois, or a pre-recession America. Peter (a foul-mouthed and depressive Jeb Kreager) and Basil’s (an equally foul-mouthed but agreeable Ken Leung) world borders on meaningless and the play’s characters are experiencing…

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Off-Broadway Review: The New Group’s “Black No More” at The Pershing Square Signature Center (Closed Sunday, February 27, 2022)

February 15, 2022 | black no, Off-Broadway, pass over, pershing square, water for > | "Black No More", Akron Watson, Angela M. Sauers, Anthony Tidd, Antonio Brown, Brandon Victor Dixon, Daryl Waters, Derek McLane, Edward Watts, Elijah A. Carter, Emily Fischer, Ephraim Sykes, Gaelen Gilliland, Howard McGillin, James Poyser, Jeff Croiter, Jennifer Damiano, John Ridley, Leanne Antonio, Lillias White, Malaiyka Reid, Mars Rucker, Mary Page Nance, Monique Carboni, Nevin Steinberg, Nicholas Ranauro, Nicole Iovino, Nikiya Mathis, Nyla Watson, Oneika Phillips, Oween Jean, Pershing Square Signature Center, Polanco Jones Jr., Rhaamell Burke-Missouri, Ryan Fitzgerald, Sarah Meahl, Scott Elliott, Tamika Lawrence, Tariq Trotter, Telsey + Company, The New Group, Theo Stockman, Tracy Shayne, Valerie A. Peterson, Zachary Daniel Jones, Zane Mark

A clue in in the “New York Times” crossword puzzle on Tuesday, February 15th was “Prefix with futurism.” The correct answer: ‘Afrofuturism,’ defined as “a cultural aesthetic that combines science-fiction, history and fantasy to explore the African-American experience and aims to connect those from the black diaspora with their forgotten African ancestry.” In 1931, George S. Schuyler explores the Afrofuturism literary…

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Off-Broadway Review: The New Group’s “Bob & Carol & Ted & Alice” in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center

The question that remains in my mind is why anyone would attempt to create a musical based on the dated 1969 motion picture “BOB & CAROL & TED & ALICE?” Granted the meant to be comedy written by Paul Mazursky and Larry Tucker for the big screen ventured into uncharted territory with infidelity, the sexual revolution and wife swapping making…

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Off-Broadway Review: The New Group’s “one in two” in the Alice Griffin Jewel Box Theatre at the Pershing Square Signature Center

The title of Donja R. Love’s play “one in two,” currently running in The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center, is reflective of the alarming 2016 study released by the CDC, which projected that “one in two Black gay and bisexual men will be diagnosed with HIV in their lifetime.” Trapped in a stark white…

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Off-Broadway Review: Final Thoughts on the Engaging “Rinse, Repeat” at the Romulus Linney Courtyard Theatre at the Pershing Square Signature Center

Performances of a new off-Broadway play begin with previews, advance through opening night and reviews, and settle into a run of some indeterminate length depending on original projections of success and extensions, finally closing leaving the play’s actors and creative team in the beginnings of yet another post-closing bereavement process. But what of the play itself? Did the run of…

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Off-Broadway Review: “Octet” in the Romulus Linney Courtyard Theatre at The Pershing Square Signature Center

The whole is greater than the sum of its parts in Dave Malloy’s a cappela musical “Octet” currently playing in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center. A group of eight “addicts” meets regularly (summoned by the mysterious Saul) to share the dynamics of their various addictions, hoping to achieve the recovery attainable through the support…

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