Michael Mayer

Broadway Review: “Swept Away” at the Longacre Theatre (Currently On)

“Swept Away,” currently on at the Longacre Theatre, was inspired by the 2004 album “Mignonette” by the American folk-rock band The Avett Brothers. Although the album was suggested by the shipwreck and survival story of the British yacht Mignonette, which sank in 1884, the narrative of the musical transcends time and space with its timeless themes of confession, forgiveness, redemption, transfiguration,…

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Broadway Review: “A Beautiful Noise” at the Broadhurst Theatre (Currently On)

Fans of jukebox musicals and Neil Diamond will be thrilled with the current production of “A Beautiful Noise” now playing at the Broadhurst Theatre. This production is packed with plenty of the superstar’s mega hits that will entice any audience member to start singing along, which happens a couple of times during the show at the invitation of Will Swenson…

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Off-Broadway Review: “Little Shop of Horrors” at the Westside Theatre

The most recent revival of “Little Shop of Horrors” by the musical theatre team Howard Ashman and Alan Menken surely proves to be timeless and timely. The musical numbers still seem to linger in your head long after you leave the theater just as they did when the show first opened off-Broadway at the Orpheum Theatre in 1982. The plot…

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Off-Broadway Preview: “Little Shop of Horrors” Opens at The Westside Theatre

The producers of the Off-Broadway return of Howard Ashman and Alan Menken’s landmark musical “Little Shop of Horrors” have announced that Tony Award nominee Gideon Glick (“To Kill A Mockingbird,” “Significant Other”) will join the cast of the production for two weeks only, from Tuesday, November 5 – Sunday, November 17, while original star Jonathan Groff is on a scheduled…

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Broadway Review: “The Terms of My Surrender” Unshackles Fear at the Belasco Theatre

Michael Moore is without doubt an iconic figure. Mr. Moore’s “The Terms of My Surrender,” currently playing a limited engagement at the Belacso Theatre, dispels any doubt about his archetypal status. Near the end of the lengthy two-hour and twenty-five-minute monologue (with a guest and some needless dancing and questionable – though pleasurable – stripping male “police officers”), Michael Moore…

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