Max Gordon Moore

Broadway Review: “Tammy Faye” at the Palace Theatre (Final Performance on Sunday, December 8)

The main problem with “Tammy Faye,” currently on at the Palace Theatre is not the vapid lyrics by Jake Shears or the bland book by James Graham. Unfortunately, the “New Broadway Musical” has nothing to do with the iconic PTL Club televangelist Tammy Faye. Not even the two-time Laurence Olivier Award winning Katie Brayben’s performance as Tammy Faye, or the…

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Broadway Review: “The Nap” at Manhattan Theatre Club’s Samuel J. Friedman Theatre

One would think mounting a Broadway show about snooker would be perilous. Richard Bean’s “The Nap,” currently running at Manhattan Theatre Club’s Samuel J. Friedman Theatre, unfortunately confirms that fear. Think “The Hustler” staged as a farce with poorly developed characters whose conflicts are not believable and drive a less than satisfying plot. Dylan Spokes (an energetic and engaging Ben…

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Broadway Review: “Saint Joan” at Manhattan Theatre Club’s Samuel J. Friedman Theatre

“No sir: we are afraid of you; but she puts courage into us. She really doesn’t seem to be afraid of anything. Perhaps you could frighten her, sir.” – Robert de Baudricourt’s Steward, Scene 1, “Saint Joan” George Bernard Shaw has had a successful run on Broadway in the 2017-2018 season. Shaw’s “Pygmalion” lies at the heart of Lerner and…

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Broadway Review: “Indecent” Shatters the Comfort of Safety at the Cort Theatre

Created by Paula Vogel and Rebecca Taichman, “Indecent” could not have opened on Broadway at the Cort Theatre at a more auspicious time. During an increasingly frenzied discussion about what is and what is not decent in contemporary American society and culture, this remarkable and stunning play – based on true events surrounding the 1923 Broadway debut of Sholem Asch’s…

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