LGBTQA

Off-Broadway Review: “Something Clean” at the Black Box Theatre in the Harold and Miriam Steinberg Center for Theatre

Charlotte and Doug Walker’s son Kai will be home from prison in three months to begin his court remanded probation. Kai is a white university student athlete who was convicted of raping a black female student behind a dumpster at the school and is half-way through his six-month sentence. Kai’s transgression has shaken the Walker’s world and rent any sense…

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Off-Broadway Review: “Black Light” at Greenwich House Theater

“We are stardust, we are golden/We are billion-year-old carbon/And we got to get ourselves back to the garden.” (“Woodstock” by Joni Mitchell) Jomama is the performer and alter ego of Daniel Alexander Jones who created the production “Black Light” now playing at Greenwich House Theater after a successful run at Joe’s Pub. She is a soul sonic superstar and when…

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Off-Broadway Review: “The Gentleman Caller” at the Cherry Lane Theatre

“The Gentleman Caller” was the predecessor of Tennessee Williams first successful play “The Glass Menagerie” which opened in 1944 in Chicago and happens to be the title of a new play by Philip Dawkins which is having its New York premiere at Cherry Lane Theatre, being produced by Abingdon Theatre Company. Perhaps Mr. Dawkins should have taken the hint from…

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Broadway Review: “The Parisian Woman” at the Hudson Theatre

Beau Willimon is perhaps best known for creating the successful Netflix original series “House of Cards” which is completing its final season. Much of what made the series so savvy was the way the writers exposed the chicanery and dishonesty of politics without “naming names.” The episodes wisely left making connections to current events to the viewers. Inspired by Henry…

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Off-Broadway Review: “Torch Song” Wobbles at Second Stage’s Tony Kiser Theater

Loneliness, the quest for authentic and meaningful love, the fear of rejection, the need for respect, and the excruciating separation from situations of abuse are not unique to members of the LGBTQ community of any decade or location and perhaps that is why audiences have responded positively to Harvey Fierstein’s “Torch Song Trilogy” since its Broadway production in 1982 at…

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Off-Broadway Review: “Lonely Planet” at the Keen Company at the Clurman at Theatre Row

“And this is the thing: they will train you, they will teach you to hit, they will teach you to move – but they never tell you about the fear. Nothing the people in your Corner can tell you will prepare you for the fear.” – Jody to Carl Despite the outstanding performances of Arnie Burton and Matt McGrath, the…

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Off-Broadway Review: “Charm” at MCC Theater at the Lucille Lortel Theatre

“A compliment brings the charm to the surface. When we say that a certain color compliments your eyes, we mean it brings them out. You want to bring the other person out, make them feel special.” – Mama At first glance, Philip Dawkins’s “Charm,” currently playing at MCC Theater at the Lucille Lortel Theatre, is a heartfelt play about Mama…

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Off-Broadway Review: “Tiny Beautiful Things” at the Public Theater’s Newman Theater

Watching “Tiny Beautiful Things” at The Public’s Newman Theater can be described as experiencing the vicissitudes of the human experience through the kaleidoscopic lens of sheer redemptive grace. The broken hearted, the beaten down, the bereft, and the “just broken” send their questions on coping, overcoming, and raging against all forms of the “dying of the light” to “Sugar” (Nia…

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Off-Broadway Review: “Convicted” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

In Riley Thomas’s “Convicted,” currently playing at the Broadway Bound Theatre Festival at the 14th Street Y Theatre, a dedicated group of convicted – some damaged – individuals gather to equitably resolve a situation that has spun out of control. The situation was precipitated by a phone call from Toper (played with an innocence marred by deep pain by Dylan…

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Off-Broadway Review: “Small Town Confessions” at the Broadway Bound Theatre at the 14th Street Y Theatre

Hearing the undisclosed “confessions” of nine peculiar residents from a small southern town, one may presume that the whole is the sum of its parts, and these offbeat characters provide a good representation of the core of the abstract community at hand in Anitola Parish. It is anchored on one end by gossip monger, quasi tour guide, JoBeth Maybelline, who…

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