Kai Harada

Off-Broadway Review: “Merrily We Roll Along” at New York Theatre Workshop (Closed Sunday, January 22, 2023)

It is difficult to believe that it has been a year since the death of Stephen Sondheim, one of the most prolific American composer and lyricists in the history of musical theatre. New York has certainly paid tribute to this theatrical icon by continuing to produce revivals of several shows from his vast repertoire, including the present production of “Merrily…

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Broadway News/Previews: “Kimberly Akimbo” Opens on Broadway at the Booth Theatre on Thursday, November 10, 2022

The box office for the critically lauded and wildly popular new musical, Kimberly Akimbo, will open on Wednesday, September 7 at 10 a.m. at the Booth Theatre (222 West 45th Street). The Booth Theatre box office will be open Monday through Saturday from 10am to 6pm. After opening to rave reviews last fall, Kimberly Akimbo will begin previews on Broadway…

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Off-Broadway Review: “Kimberly Akimbo” at Atlantic’s Linda Gross Theater (Closed Sunday, December 26, 2021)

“Kimberly Akimbo” may be one of the best new musicals to appear on the New York Theatre scene this season, glorified by the music of Jeanine Tesori, and enhanced with the unequivocal book and lyrics of David Lindsay- Abaire. It is not perfect, and some aspects can certainly be improved upon, but in its current incarnation it happens to be…

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Off-Broadway Preview: “The Bedwetter” at Atlantic Theater Company’s Linda Gross Theater

Atlantic Theater Company (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director) is proud to announce casting for the world premiere production of “The Bedwetter,” a new musical with a book by Drama Desk Award winner Joshua Harmon and Emmy Award winner Sarah Silverman, lyrics by Emmy Award winner Adam Schlesinger and Sarah Silverman, music by Adam Schlesinger, and direction by…

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Off-Broadway Review: “Soft Power” at the Public’s Newman Theater

“Soft Power” – the culture-bending, plot-twisting musical within a play currently running at The Public’s Newman Theater – challenges the notion that the only effective parameters of power are money, race, and sex. These constructs of “hard” power are the hallmarks of greed, systemic racism, and misogyny and, from Xue Xing’s (a sensitive and alluring Conrad Ricamora) point of view,…

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