Julieta Cervantes

Broadway Review: “Cost of Living” at Manhattan Theatre Club’s Samuel J. Friedman Theatre (Closed Sunday, November 6, 2022)

“Cost of living indexes are meant to compare the expenses an average person can expect to incur to acquire food, shelter, transportation, energy, clothing, education, healthcare, childcare, and entertainment in different regions.” – Investopedia The folks in Martyna Majok’s “Cost of Living,” currently running at Manhattan Theatre Club’s Samuel J. Friedman Theatre, are not “average people” and they experience the…

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Off-Broadway Review: “Harmony” at the Museum of Jewish Heritage (Extended through Sunday, May 15, 2022)

The Comedian Harmonists was an internationally famous all-male German singing group that was formed during the Weimar period and was forced to disband in the early 1930’s when the Nazi regime came into power. The group consisted of six males, three of whom were Jewish or of Jewish decent and one that had married a Jewish woman. The story of…

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Off-Broadway Review: “Little Girl Blue: The Nina Simone Musical” at New World Stages (Through Sunday, May 22, 2022)

There is something very special happening at New World Stages that every ardent admirer of great musical legends and theatre enthusiast should see. “Little Girl Blue”, the new Nina Simone musical is a captivating journey into the life of the legendary singer and civil rights activist that weaves some of her well-known songs into the tragic episodes of her life….

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Broadway Review: “The Lehman Trilogy” at the Nederlander Theatre (Closed Sunday January 2, 2022)

November 3, 2021 | a man of, Broadway, lehman, the lehman, the piano > | "The Lehman Trilogy", Adam Godley, Adrian Lester, Candida Caldicot, Dominic Bilkey, Es Devlin, Jon Clark, Julieta Cervantes, Katrina Lindsay, Luke Halls, Nederlander Theatre, Nick Powell, Polly Bennett, Sam Mendes, Simon Russell Beale, Zoé Ford Burnett.

If you were to sit in the dark in the Nederlander Theatre at the appointed hour, with the security screen lowered, you would eventually hear Candida Caldicot begin to play the stage-left piano. Soon after, voices are heard, and what easily could be the most engaging radio play begins. And you immediately become entranced, captured by what you hear: the…

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Broadway Review: “Carousel” at the Imperial Theatre

The beloved Rogers and Hammerstein “Carousel” has not often been revived on the Broadway stage since it first opened to critical acclaim in 1945, so this third incarnation, after a long hiatus since the highly successful production at Lincoln Center in 1994, will be welcomed by audiences who savor the familiar lavish score. Theater aficionados will be delighted by the…

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Broadway Review: “1984” Wrinkles Reality at the Hudson Theatre

September 9, 2017 | asi wind, Broadway > | "1984", “Blowin’ in the Wind”, Bob Dylan, Cara Seymour, Carl Hendrick Louis, Chloe Lamford, Duncan Macmillan, George Orwell, Hudson Theatre, Julieta Cervantes, Michael Potts, Natasha Chivers, Nick Mills, Olivia Wilde, Reed Birney, Robert Icke, Tim Reid, Tom Gibbons, Tom Sturridge, Wayne Duvall

“Yes, ‘n’ how many years can some people exist/Before they’re allowed to be free/Yes, ‘n’ how many times can a man turn his head/And pretend that he just doesn’t see/The answer, my friend, is blowin’ in the wind/The answer is blowin’ in the wind.” – Bob Dylan, “Blowin’ in the Wind” (1962) Did the 1947 Paris Peace Treaties at the…

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