Joan Marcus

Off-Broadway Review: “Dying City” at Second Stage Theater’s Tony Kiser Theater

With renewed concerns about an escalation of conflict in Iraq and the possibility of a new war initiative there, one would tend to believe that the revival of Christopher Shinn’s “Dying City,” currently playing at Second Stage’s Tony Kiser Theater, would provide new insights into the earlier Iraq War and its effects on the soldiers who served here and on…

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Off-Broadway Review: “Octet” in the Romulus Linney Courtyard Theatre at The Pershing Square Signature Center

The whole is greater than the sum of its parts in Dave Malloy’s a cappela musical “Octet” currently playing in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center. A group of eight “addicts” meets regularly (summoned by the mysterious Saul) to share the dynamics of their various addictions, hoping to achieve the recovery attainable through the support…

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Off-Broadway Review: “Something Clean” at the Black Box Theatre in the Harold and Miriam Steinberg Center for Theatre

Charlotte and Doug Walker’s son Kai will be home from prison in three months to begin his court remanded probation. Kai is a white university student athlete who was convicted of raping a black female student behind a dumpster at the school and is half-way through his six-month sentence. Kai’s transgression has shaken the Walker’s world and rent any sense…

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Off-Broadway Review: “If Pretty Hurts Ugly Must Be a Muhfucka” in the Mainstage Theater at Playwrights Horizons

Once upon a time, in a not so very long time ago there was a beautiful young Nigerian woman named Akim (a self-absorbed yet fragile Níkẹ Uche Kadri) whose Ma (a stern but loving Maechi Aharanwa) and Dad (a somewhat subservient Jason Bowen) project their own flawed conception of what real beauty is (a thoroughly Eurocentric standard of beauty) upon…

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Broadway Preview: “The Cake” Opens at MTC at New York City Center – Stage I

Manhattan Theatre Club’s New York premiere of The Cake, written by Bekah Brunstetter (“This Is Us,” “American Gods,” The Oregon Trail) and directed by MTC’s award-winning Artistic Director Lynne Meadow (The Assembled Parties, The Tale of the Allergist’s Wife, The Commons of Pensacola), opens tomorrow at MTC at New York City Center – Stage I (131 West 55th Street). The…

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Off-Broadway Review: “Hurricane Diane” at New York Theatre Workshop

Playwright Madeleine George sets her “Hurricane Diane” in an Early Anthropocene Time, the era defined as “the current geological age, viewed as the period during which human activity has been the dominant influence on climate and the environment.” Most, except members of the current Administration, see that influence to have been deleterious at best and are aware of the dire…

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Off-Broadway Review: “Mies Julie” at Classic Stage Company (Through Sunday March 10, 2019)

August Strindberg’s naturalism and themes transfer brilliantly from his “Miss Julie” to Yaël Farber’s adaptation of Strindberg’s classic. Farber’s “Mies Julie” is currently running at Classic Stage Company in repertory with the Conor McPherson’s adaptation of Strindberg’s “The Dance of Death.” Like the 1985 stage version of “Miss Julie” at Cape Town’s Baxter Theatre, Mr. Farber’s 2012 adaptation takes place…

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Broadway Review: “The Ferryman” at the Bernard B. Jacobs Theatre

If you are a fan of Irish plays you will most likely recognize the characters and may recall hearing similar stories as you listen and watch the epic family drama “The Ferryman” by Jez Butterworth now playing at the Bernard B. Jacobs Theatre. That is where the familiarity stops, allowing the brilliant dialogue of Mr. Butterworth and the sagacious, meticulous…

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Broadway Review: “The Cher Show” at the Neil Simon Theatre

Anyone who is or was a fan of Cher during the past six decades will find it difficult to resist the urge to see the new Broadway musical based on her fascinating life and intriguing career that is now playing at Neil Simon Theatre. It would be wise to follow that urge and see for yourself how the beat still…

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Broadway Review: “The New One” at the Cort Theatre

When he walks onto stage to applause at the Cort Theatre to begin his show “The New One,” It is evident that Mike Birbiglia has a huge following and some dedicated fans. The one-man show recently transferred to Broadway after a successful off-Broadway run at The Cherry Lane Theater. Mike Birbiglia is casual, an everyman, as he proceeds to mic…

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