Carol Rosegg

Off-Broadway Review: “Sabbath Girl” at 59E59 Theaters

A new play entitled “The Sabbath Girl” by Cary Gitter is the latest production to take the stage in theater “B” at 59E59, transferring from Penguin Rep Theatre where it had its world premiere. It presents itself as somewhat of a rom com, structured similarly to a sitcom, moving the action forward with a series of very short scenes. The…

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Off-Broadway Review: “Pumpgirl” at Irish Repertory Theatre’s W. Scott McLucas Studio Theatre

The strength of Abbie Spallen’s “Pumpgirl,” currently running at Irish Rep’s W. Scott McLucas Studio Theatre, lies in the playwright’s authentic characters and their believable conflicts that connect to the timeless vicissitudes of the human condition. The pumpgirl (a lachrymose yet enlightened Labhaoise Magee) at the petrol station in present day County Armagh, Northern Ireland fantasizes night and day about…

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Off-Broadway Review: “One Discordant Violin” at 59E59 Theaters

Layers of discord populate the story line of Anthony Black’s adaptation of Yann Martel’s short story “The Time I Heard the Private Donald J. Rankin String Concerto with One Discordant Violin, by the American Composer John Morton.” The short story appeared in Martel’s 2004 “The Facts Behind the Helsinki Roccamatios.” Reviewer Christopher Priest in the “The Guardian” called it “the…

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Off-Broadway Review: “Kingfishers Catch Fire” at Irish Repertory Theatre’s W. Scott McLucas Studio Theatre

Four years after the Ardeatine Caves Nazi Massacre, Monsignor Hugh O’Flaherty (a conflicted and contrite Sean Gormley) visits Colonel Herbert Kappler (a robust and tenacious Haskell King) in his cell in an old-fashioned prison in Gaeta, Southern Italy. Kappler, an SS Colonel and head of Hitler’s Gestapo in Rome, was responsible for the massacre of 355 Italians (a random number…

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Off-Broadway Review: Gingold Theatrical Group’s New Production of “Bernard Shaw’s Caesar & Cleopatra

“Bernard Shaw’s Caesar & Cleopatra,” currently playing in Theatre 1 at Theatre Row, injects a palpable dose of modernity into the history of the relationship between Caesar’s Rome and Cleopatra’s Egypt. The 1898 play parses the political landscape in Shaw’s fictionalized account of the relationship between the royal pair and Cleopatra’s desire to assume complete control of the throne from…

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Off-Broadway Review: “Dublin Carol” at Irish Repertory Theatre

Undertaker John Plunkett (Jeffrey Bean) and his intern Mark (Cillian Hegarty) enter the office of a funeral home on the Northside of Dublin where John works. They have just finished a service and John compliments Mark on his work at the graveside. With that non-descript arrival, Conor McPherson’s “Dublin Carol,” currently playing at Irish Repertory Company, begins its narrative. Over…

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Off-Broadway Review: “Fern Hill” at 59E59 Theaters

Part group therapy, part intervention, part Doctors Phil and Ruth, “Fern Hill,” currently running at 59E59 Theaters through Sunday October 20, 2019, rehearses the events at Sunny’s (Jill Eikenberry) and Jer’s (Mark Blum) country farmhouse (Fern Hill) that take place with their close couple friends and frequent guests Vincent (John Glover) and Darla (Ellen Parker) and Billy (Mark Linn-Baker) and…

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Off-Broadway Review: “Only Yesterday” at 59E59 Theaters

Writing a play about two iconic figures like Paul McCartney and John Lennon is risky business. Detailed information about their lives, their work, and their relationships is abundant and readily available. For a script about the famous pair to be engaging and relevant, the writing needs to include either new information or it needs to attempt to bring some new…

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Off-Broadway Review: Red Bull Theater’s “American Moor” at Cherry Lane Theatre

Keith Hamilton Cobb has been on an urgent mission, crisscrossing the United States since 2013 performing his “American Moor.” Mr. Cobb’s almost-one-man-show is a trope, here an extended metaphor, for the pressing need for dialogue around the systemic racism and other “false securities that our society rests on” (Rachel Elizabeth Cargle). Keith Hamilton Cobb makes it clear that unless we…

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Off-Broadway Review: “Little Gem” at Irish Repertory Theatre

Over the period of a year, three generations of Irish women share their stories ad seriatim while in a medical office waiting room. Amber (a spitfire Lauren O’Leary) rehearses her life from taking her beau Paul to a wedding, to his abandoning her after discovering she is pregnant with his child. Amber’s “ma” Lorraine (a pensive and seemingly broken Brenda…

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