Benja Kay Thomas | Theatre Reviews Limited

Off-Broadway Review: The Public Theater and National Black Theatre (NBT) Production of “Fat Ham” at the Public’s Anspacher Theater (Closed Sunday, July 31, 2022)

June 29, 2022 | a christmas carol, black no, hamlet, LGBTQ+, Off-Broadway, public, public theater > | "Fat Ham", Adrianna Mitchell, Alexandria Brienne Lewis, Anspacher Theater, Benja Kay Thomas, Billy Eugene Jones, Calvin Leon Smith, Choreography by Darrell Moultrie, Chris Herbie Holland, Costume design by Dominique Fawn Hill, David Roberts, Fight direction by Lisa Kopitsky, Hair and wig design by Earon Nealey, Illusions design by Skylar Fox, James iJames, Jereme Kyle serves as the Production Stage Manager, Joan Marcus, Lighting design by Stacey Derosier, Marcel Spears, Marquis D. Gibson, Matthew Elijah Webb, National Black Theatre, NBT, Nikki Crawford, Prop management by Claire M. Kavanah, Public Theater, RJ Foster, Ryan Kane serves as the Stage Manager, Saheem Ali, Scenic design by Maruti Evans, Sound design by Mikaal Sulaiman, Tanesha Gary, Theatre Reviews Limited

Things are going as well as they can as Juicy (a pensive, smart, and gay Marcel Spears who is thicc, beautiful, and lonely) and his cousin and oldest friend Tio (a relaxed and clever Chris Herbie Holland who is a stoner) set up for what appears to be his mother’s wedding reception at her house in North Carolina. Earlier in…

Off-Broadway Review: The Public Theater and National Black Theatre (NBT) Production of “Fat Ham” at the Public’s Anspacher Theater (Closed Sunday, July 31, 2022)

Off-Broadway Review: “Halfway Bitches Go Straight to Heaven” at Atlantic Theatre Company’s Linda Gross Theatre