Broadway Review: Valor Rules Supreme in “Three Tall Women” at the John Golden Theatre

“Three Tall Women” by Edward Albee Grapples with the Dignity and Valiancy of Death. What if the seven “characters” in Jacques the melancholy’s monologue in Shakespeare’s “As You Like It” could “meet” and share with one another the experiences they had in their particular “stage of life?” What if “the lean and slipper’d pantaloon” could let the “soldier” know how…

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Off-Broadway Review: Sensibility Reigns in “Summer and Smoke” at Classic Stage Company

Begun in 1945, and first produced in 1947, Tennessee Williams called “Summer and Smoke” a “drama of sensibility.” Rich in allegory, yet grounded in realism, the play explores the deep conflicts between body and soul and between the sacred and the profane and examines the themes of the marginalized and the results of having a poorly integrated sexuality. Currently running…

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Outer Critics Circle Announces Its 68th Annual Awards Nominees for the 2017-2018 Season

Outer Critics Circle, the organization of writers and commentators covering New York theater for out-of-town newspapers, national publications and other media beyond Broadway, announced today (April 24, 2018) its nominees for the 2017-18 season. Broadway’s “Come From Away” star Jenn Colella along with “The Band’s Visit” sensation Katrina Lenk presided over the (11:00 a.m.) announcement ceremony in the Oak Room…

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Off-Broadway Preview: The Amoralists Announce Their Eleventh Season, “Ricochet”

The Amoralists (James Kautz, Artistic Director) announce their 11th season, RICOCHET: An Amoralists Anthology about Surviving an American Epidemic. RICOCHET will feature four boundary-pushing original, intersecting plays that follow a community as it copes with the aftermath of a mass shooting. Written by The Amoralists 2018/2019 ‘WRIGHT CLUB playwrights, Gabriel Jason Dean, Charly Evon Simpson, and James Anthony Tyler, the…

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Off-Broadway Review: “The Seafarer” at Irish Repertory Theatre

The latest offering of the Irish Repertory Theatre is the revival of “The Seafearer” by Conor McPherson, which opened on Broadway in 2007 and was nominated for a TONY award for best play that season. It follows the renowned style of the playwright, producing incredible natural dialogue, executed in somewhat ordinary life situations, with a collection of disreputable characters, and…

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Off-Broadway Review: “Mlima’s Tale” at the Public’s Martinson Hall

“I’m Mlima of the Great Plains. Eldest of my clan. I was tracked for many days, taken by a poison arrow. Why are there so many of you?! Mumbi? Koko? Do you hear me?” Mighty Mlima, “Kenya’s most famous elephant,” – the old, large elephant “with extraordinary tusks” – is murdered for those tusks by the Somali poachers Raman and…

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Broadway Review: “Children of a Lesser God” at Studio 54

“For why is all around us here/As if some lesser god had made the world/But had not force to shape it as he would?” – Alfred Tennyson The current Broadway revival of the groundbreaking play “Children of a Lesser God,” the first since it opened thirty-eight years ago to win the TONY award for best play, does not seem to…

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Off-Broadway Review: “Miss You Like Hell” Redefines Redemption at the Public’s Newman Theater

After seeing her estranged daughter’s “veiled suicide threat” on her “anonymous” blog, Beatriz (the irrepressible Daphne Rubin-Vega) drives her truck “like a bat out of hell” from California to Philadelphia to take her daughter Olivia (the deeply reflective Gizel Jiménez) on a seven-day road trip. After some mild mid-adolescent protestations, Olivia – sixteen – agrees to the trip hoping, perhaps,…

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Broadway Review: “Mean Girls” Pleases at The August Wilson Theatre

The new Broadway musical “Mean Girls,” based on the 2004 hit movie, is sure to secure a home on the Great White Way for some time to come, as it tickles the fancy of a new generation of young woman who might be liberated by the recent movements of empowerment and anti-bullying. It is certainly a crowd pleaser and whether…

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