Off-Off-Broadway Preview: Broadway Bound Theatre Festival Announces 2019 Lineup with Eighteen Curated New Works

In a celebratory move uptown to the theater district, the Broadway Bound Theatre Festival, celebrating its third year in Manhattan, has announced its 2019 season lineup at Theatre Row, 410 West 42nd Street. In just three short years BBTF has evolved into an elevated and sophisticated theatre festival, upping the ante and the exposure for its participating playwrights, but still…

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Opera Review: “Stonewall” at the Rose Theater in Jazz at Lincoln Center

To celebrate its third year of presenting an LGBTQ+ opera in the month of June – and the 50th Anniversary of the Riots at Greenwich Village’s Stonewall Inn – the New York City Opera commissioned the opera “Stonewall” currently running at The Rose Theater in Jazz at Lincoln Center for five performances through Friday June 28, 2019. The one act…

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Off-Broadway Review: “Dropping Gumballs on Luke Wilson” at A.R.T./New York Theatre’s Mezzanine Theater

“Dropping Gumballs on Luke Wilson” a new play by Rob Ackerman is based on the actual making of an ill-fated television commercial by AT&T that discredits the cell phone coverage of rival Verizon’s network. In that commercial, actor Luke Wilson (a convincing Jonathan Sale) stands in front of a Verizon network map covered with red dots to represent their coverage…

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Off-Broadway Review: Final Performances of “The Plough and the Stars” at Irish Repertory Theatre

Irish Rep’s “The Plough and the Stars” (1926) closes after the Sunday June 22nd performance. Part of the Sean O’Casey Cycle (the Dublin Trilogy) at Irish Repertory Theatre, the groundbreaking play ran in repertory with O’Casey’s “The Shadow of a Gunman” (1923) and “Juno and the Paycock” (1924) and was the company’s debut production in 1988. Artistic Director Charlotte Moore…

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Off-Broadway Review: “A Strange Loop” at Playwrights Horizons

Last season, two off-Broadway plays – “Daddy” and “Slave Play” (both by Jeremy O. Harris) – highlighted significant issues about the self-identity of young black gay and queer men and raised rich and enduring questions about the role of family, friends, culture, and “indifferent yet fetishizing white gays” in that process of discovery. This season, Michael R. Jackson’s original musical…

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Off-Broadway Review: “Enter Laughing: The Musical” at York Theatre Company

After a successful run in 2008 of the musical “Enter Laughing,” the revised version of the original “So Long 174th Street” which was a Broadway flop in 1976, The York Theatre Company has revived that production to kick off their 50th Anniversary season. The book by Joseph Stein, and music and lyrics by Stan Daniels, with additional material by Stuart…

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Off-Broadway Review: “Nomad Motel” at Atlantic Theater Company Stage 2

With a nod (intentional/unintentional) to the genre of disillusioned youth represented by Kenneth Lonergan’s 1996 “This Is Our Youth,” Carla Ching’s “Nomad Motel” currently running at Atlantic Theater Company Stage 2 dives headlong into the lives of a triangle of vagabond California youth yearning to belatedly separate and individuate from adults who have been less than successful in providing safe…

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Off-Broadway Review: “Dying City” at Second Stage Theater’s Tony Kiser Theater

With renewed concerns about an escalation of conflict in Iraq and the possibility of a new war initiative there, one would tend to believe that the revival of Christopher Shinn’s “Dying City,” currently playing at Second Stage’s Tony Kiser Theater, would provide new insights into the earlier Iraq War and its effects on the soldiers who served here and on…

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Off-Broadway Review: “Octet” in the Romulus Linney Courtyard Theatre at The Pershing Square Signature Center

The whole is greater than the sum of its parts in Dave Malloy’s a cappela musical “Octet” currently playing in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center. A group of eight “addicts” meets regularly (summoned by the mysterious Saul) to share the dynamics of their various addictions, hoping to achieve the recovery attainable through the support…

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Off-Broadway Review: Primary Stage’s “Little Women” at Cherry Lane Theatre

“I can’t abide seeing a body stuffed into the wrong role.” – Jo to Meg in “Little Women” Kate Hamill’s retelling of Louisa May Alcott’s “Little Women” plays at Primary Stages at an auspicious time. Amid unprecedented national and political division, issues of gender identity, gender equality, and gender protection continue to be critically important. Individual rights and freedoms are…

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