Off-Broadway Review: “Heroes of the Fourth Turning” at Playwrights Horizons Mainstage Theater

Three Gen Y Conservative Christians gather at Justin’s (a thoughtful and broken Jeb Kraeger) backyard in Lander, Wyoming to celebrate Generation X Gina’s (a confident and willful Michelle Pawk) inauguration as president of Transfiguration College of Wyoming. These “heroes” are preparing for a battle of Armageddon-like proportions. They do not simply disagree with those infidels on the left: they despise…

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Off-Broadway Review: “Scotland, PA” at Roundabout Theatre Company’s Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre

Bloody, gory, horror films certainly have been around for quite a while and have been successful in creating a cult audience that supports the genre. Transforming one of these for the stage would certainly be an audacious task. To go one step further, choose the horrific tale of Macbeth penned by William Shakespeare and take some extreme liberties to create…

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Broadway Review: “Linda Vista” at Second Stage Theater’s Helen Hayes Theater

The sharp and witty dialogue of the latest dramedy penned by playwright Tracy Letts is foreshadowed by the title “Linda Vista” which means “pretty view” in Spanish. The midlife crisis of a bitter fifty-year-old, divorced, white male, who seems to have an insatiable libido and absolutely no respect for women – preferring to exhibit his unbridled male testosterone – is…

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Off-Broadway Review: “Little Shop of Horrors” at the Westside Theatre

The most recent revival of “Little Shop of Horrors” by the musical theatre team Howard Ashman and Alan Menken surely proves to be timeless and timely. The musical numbers still seem to linger in your head long after you leave the theater just as they did when the show first opened off-Broadway at the Orpheum Theatre in 1982. The plot…

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Off-Broadway Review: “Kingfishers Catch Fire” at Irish Repertory Theatre’s W. Scott McLucas Studio Theatre

Four years after the Ardeatine Caves Nazi Massacre, Monsignor Hugh O’Flaherty (a conflicted and contrite Sean Gormley) visits Colonel Herbert Kappler (a robust and tenacious Haskell King) in his cell in an old-fashioned prison in Gaeta, Southern Italy. Kappler, an SS Colonel and head of Hitler’s Gestapo in Rome, was responsible for the massacre of 355 Italians (a random number…

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Broadway Review: “Slave Play” at the Golden Theatre

“Slave Play,” currently running on Broadway at the Golden Theatre, reiterates the events on the fourth day of the Antebellum Sexual Performance Therapy being held at MacGregor Plantation, a few miles south of Richmond, Virginia. Three couples have signed up for the workshop to engage in the “radical therapy designed to help black partners re-engage intimately with white partners from…

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Off-Broadway Review: “Sunday” at Atlantic Therater Company’s Linda Gross Theater

Jack Thorne’s “Sunday,” currently running at Atlantic Theater Company’s Linda Gross Theater, seems to elicit one of two responses: disappointment or robust enthusiasm. A group of Gen Z friends gather in a New York City apartment for one of what has become Sunday Book Club gatherings. This Sunday’s meeting is at Marie’s (a somewhat broken and conflicted Sadie Scott) and…

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Off-Broadway Review: Gingold Theatrical Group’s New Production of “Bernard Shaw’s Caesar & Cleopatra

“Bernard Shaw’s Caesar & Cleopatra,” currently playing in Theatre 1 at Theatre Row, injects a palpable dose of modernity into the history of the relationship between Caesar’s Rome and Cleopatra’s Egypt. The 1898 play parses the political landscape in Shaw’s fictionalized account of the relationship between the royal pair and Cleopatra’s desire to assume complete control of the throne from…

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Off-Broadway Review: “Dublin Carol” at Irish Repertory Theatre

Undertaker John Plunkett (Jeffrey Bean) and his intern Mark (Cillian Hegarty) enter the office of a funeral home on the Northside of Dublin where John works. They have just finished a service and John compliments Mark on his work at the graveside. With that non-descript arrival, Conor McPherson’s “Dublin Carol,” currently playing at Irish Repertory Company, begins its narrative. Over…

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Broadway Review: “The Height of the Storm” at Manhattan Theatre Club’s Samuel J. Friedman Theatre

When couples have conversations about aging and approaching the end of their lives, generic yet fundamental questions arise. “What happens if I die before you? “Do you think you will die before I do? What am I going to do without you? “How will I live without you? “Is there anything you want to tell me before one of us…

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