“Since its premiere at The Public in 1976 and its subsequent transfer to Broadway later that year, much has happened to continue to impact the lives of the women of color celebrated by Ntozake Shange in her choreopoem “for colored girls who have considered suicide/ when the rainbow is enuf” currently running at the Booth Theatre for the second time…
The revival of “Take Me Out” by Richard Greenberg which opened at The Helen Hayes Theater, in many ways does not feel as if it were written twenty years ago, given the current political climate and the conservative challenges of LGBTQ+ rights. The story about a major league baseball star surprisingly coming out in a public arena, deals with the…
The Comedian Harmonists was an internationally famous all-male German singing group that was formed during the Weimar period and was forced to disband in the early 1930’s when the Nazi regime came into power. The group consisted of six males, three of whom were Jewish or of Jewish decent and one that had married a Jewish woman. The story of…
It has taken this reviewer a couple of days to contemplate the new stage version of the well-known children’s story “The Little Prince” penned by Antoine de Saint-Exupery, which has taken up residence at the Broadway Theatre for its New York debut. At first, although mesmerized by the illusionary concept put forth by an impressive creative team, the question that…
There is something very special happening at New World Stages that every ardent admirer of great musical legends and theatre enthusiast should see. “Little Girl Blue”, the new Nina Simone musical is a captivating journey into the life of the legendary singer and civil rights activist that weaves some of her well-known songs into the tragic episodes of her life….
Broadway has been graced with quite a bit of royalty considering the “SIX” queens that currently occupy the stage at the Brooks Atkinson Theatre, vying for the title of the most victimized wife of Henry VIII. Appropriately titled “SIX,” the musical gives each of these candidates the opportunity to convince their audience with a musical number which describes their individual…
As Stacey Derosier’s lighting comes up on the stage of Charly Evon Simpson’s “sandblasted,” which is currently being co-presented by Vineyard Theatre and Women’s Project Theater at the Vineyard, Angela (a willful yet vulnerable Brittany Bellizeare) and Odessa (a confident and temperamental Marinda Anderson) slowly emerge from behind beach umbrellas (“where the sand is”). Both complain about the omnipresence of sand…
The recent revival of “The Music Man” which has opened at the Winter Garden Theater comes to the stage with some good news for fans of a certain celebrity, and some bad news for avid theater goers looking for an astounding reincarnation of this classic musical. Audience members who have come to the theater to see the megastar, namely Hugh…
A clue in in the “New York Times” crossword puzzle on Tuesday, February 15th was “Prefix with futurism.” The correct answer: ‘Afrofuturism,’ defined as “a cultural aesthetic that combines science-fiction, history and fantasy to explore the African-American experience and aims to connect those from the black diaspora with their forgotten African ancestry.” In 1931, George S. Schuyler explores the Afrofuturism literary…
In “Tambo & Bones,” currently running at Playwrights Horizons, playwright Dave Harris (“Summertime,” “Patricide”) gives the audience a minstrel show with three variety acts whose timeframes span more than two centuries. Endmen Tambo (W. Tré Davis) and Bones (Tyler Fauntleroy) appear as humans in olios one and two performing for white audiences, and they appear as robots, themselves, and their…