The latest production to open at MCC Theatre is the world premiere of the new play “Table 17” penned by Douglas Lyons and under the direction of Zhailon Levingston. The title refers to a table that sits under a glimmering disco ball at Bianca’s, an upscale restaurant where the two main characters Jada and Dallas meet to review their past relationship which did not end amicably two years ago. Scenic designer Jason Sherwood has created a sleek and efficient set, surrounding table 17, which sits atop a thrust stage, with tables at floor level where audience members sit feeling immersed in the action of the play. The set is extremely versatile, morphing into different locations when needed. The lighting design by Ben Stanton is clean, sharp and at times moody, delineating each scene with the perfect ambiance.

After a five-year relationship and an engagement, Jada and Dallas have called it quits. Now two years later Dallas decides to invite Jada to dinner to reunite, review what exactly went wrong, and possibly even rekindle their love for each other. Neither person is willing to admit that they were responsible or that they would consider getting back together, unless the other pleads guilty first. Dallas was ignoring Jada, focusing too much on his career, and Jada was unfaithful because she needed more attention. So, who was at fault? The verdict seemed to be divided as the fourth wall is broken and audience members vocalize their opinions. I am not a fan of audience participation, but in this case, it is a clever mechanism used to bring the audience closer to the characters, as if they were being asked their opinion by a close friend. During their conversation, the past is exposed, the present becomes both a battleground, and a confessional, where all is forgiven.

Mr. Lyons fills his dialogue with humor that is very recognizable provoking the audience not only to laugh at the performances but also laugh with the performers. It is not broad slapstick comedy but rather quick, sharp and concise, to punctuate the point. The cast is exceptional, each in their own right but also as an ensemble. Kara Young is brilliant as Jada, confirming she is a remarkable comedienne and incredible actor, as she delivers an impeccable opening monologue that defines her character. Her emotions twist and turn at every glance and carefully executed movement. She is strong but indecisive, powerful yet submissive, and intelligently hesitant. Biko Eisen-Martin creates a vulnerable and loving Dallas. He gives an intense and honest performance, filled with self-assurance without an inflated ego. He is funny, sincere and emotionally fluid. Then just as you think things cannot get any better there comes Michael Rishawn as the hilarious host at Bianca’s restaurant. He has the uncanny ability to fill shtick with wisdom, and the talent to create several different believable characters that will keep you in awe. He is a chameleon on steroids and a quick-change artist to boot.

Yes, the production has the flavor of a fast-paced rom com, but it certainly serves it up with panache, ensuring the audience will savor every delicious morsel put in front of them. As far as the verdict is concerned, regardless of who you are rooting for, the audience is clearly the winner!