Off-Broadway

Theatre News: World and Northern American Premieres, Original Commissions, and Works Spanning Theater, Opera, Music, and Dance Comprise Park Avenue Armory’s 2023 Season

World and North American Premieres, Original Commissions, and Works Spanning Theater, Opera, Music, And Dance Comprise Park Avenue Armory’s 2023 Season The North American debut of British dramatist Alexander Zeldin’s LOVE, an emotionally poignant play depicting the lives of families placed in temporary public housing. Uniquely lived-in performances and design immerse audiences within a story that calls attention to…

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Off-Broadway Review: “Merrily We Roll Along” at New York Theatre Workshop (Closed Sunday, January 22, 2023)

It is difficult to believe that it has been a year since the death of Stephen Sondheim, one of the most prolific American composer and lyricists in the history of musical theatre. New York has certainly paid tribute to this theatrical icon by continuing to produce revivals of several shows from his vast repertoire, including the present production of “Merrily…

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Off-Broadway Review: “Sandra” at the Vineyard Theatre (Closed Sunday, December 18, 2022)

December 10, 2022 | LGBTQ+, Off-Broadway, on that day > | "Sandra", Carol Rosegg, costume design by Linda Cho, David Cale, David Roberts, Eliza Anastasio, Katie Ailinger, Leigh Silverman, lighting design by Thom Weaver, Marjan Neshat, Matthew Dean Marsh, scenic design by Rachel Hauck, sound design by Kathy Ruvuna, Theatre Reviews Limited, Vineyard Theatre

There are two paths to “disappearance” in David Cale’s engaging “Sandra” currently running at the Vineyard Theatre. The audience discovers that Ethan Martin’s path has been well thought out. Sandra Jones’ (Marjan Neshat) path on the other hand is completely reactive, random, and riddled with danger. Two paths diverge in Puerto Vallarta, Mexico, and the choices made by both on…

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Off-Broadway Review: The New Group’s “Evanston Salt Costs Climbing” at Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre (Closed Sunday, December 18, 2022)

If Will Arbery’s “Evanston Salt Costs Climbing were an absurdist play, its non-sense narrative might make some sense. However, this is not a “Waiting for Godot” for post-pandemic Evanston, Illinois, or a pre-recession America. Peter (a foul-mouthed and depressive Jeb Kreager) and Basil’s (an equally foul-mouthed but agreeable Ken Leung) world borders on meaningless and the play’s characters are experiencing…

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Off-Broadway Review: “Camp Siegfried” at Second Stage’s Tony Kiser Theater (Closed Sunday, December 4, 2022)

November 15, 2022 | camp siegfried, Off-Broadway, on that day, the seven year > | "Camp Siegfried", Bess Wohl, costume design by Brenda Abbandandolo, David Cromer, Emilio Madrid, Johnny Berchtold, Joseph Verlezza, Katie Young, lighting design by Tyler Micoleau, Lily McInerny, Second Stage, set design by Brett J Banakis, sound design by Christopher Darbassie, Theatre Reviews Limited, Tony Kiser Theater

There is no doubt that “Camp Siegfried” a new play penned by Bess Wohl is extremely relevant given the current social, moral, and political landscape that has evolved in the past few years. The similarities might actually border on being frightening. The title and subject matter refer to a summer camp, one of many throughout the country, where German youth…

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Off-Broadway Review: “You Will Get Sick” at Roundabout Theatre Company’s Laura Pels Theatre (Closed Sunday, December 11, 2022)

You will get sick. It happens. You do not know why. Often you do not want to tell anyone you are sick. Perhaps you might even pay someone to talk to you about your illness. Yet after all that, you still might die. And you are not alone. Rabbi Harold S. Kushner wrote about “When Bad Things Happen to Good…

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Off-Broadway Review: “Catch as Catch Can” at Playwrights Horizons (Closed Sunday, November 20, 2022)

November 14, 2022 | Off-Broadway, on that day > | "Catch as Catch Can", Bray Poor (Sound Designer), Cindy Cheung, Daniel Aukin, David Roberts, Enver Chakartash (Costume Designer), Eva Shannon-Dabek (Stage Management Fellow), Genevieve Ortiz (Production Stage Manager), Jon Norman Schneider, Marika Kent (Lighting Designer), Matt Saunders (Scenic Designer), Mia Chung, Peter Jay Sharp Theater, Playwrights Horizons, Rob Yang, Theatre Reviews Limited, Zach Brecheen (Assistant Stage Manager)

Playwright Mia Chung intends to raise a rich and enduring question in her play “Catch as Catch Can” currently running at Playwrights Horizons Peter Jay Sharp Theater: “What is inherent in our inheritance? What is universal?” Unfortunately, this question is not addressed nor answered in her character-driven play featuring Cindy Cheung, Jon Norman Schneider, and Rob Yang as Irish American…

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Off-Broadway Review: “A Raisin in the Sun” at the Public Theater’s Newman Theater (Closed on Sunday, November 20, 2022)

November 14, 2022 | a man of, back the future, black no, Off-Broadway, on that day, public theater, the old man > | "A Raisin in the Sun", Almeria Campbell, Andie Burns, Bjorn Dupaty, Calvin Dutton, Camden McKinnon, Christopher Marquis Lindsay, Clarissa Marie Ligon, costume design by Karen Perry, David Roberts, fight and intimacy direction by Teniece Divya Johnson, Francois Battiste, hair and wig design by Nikiya Mathis, Jesse Pennington, Joan Marcus, John Clay III, lighting design by Alex Jainchill, Lorraine Hansberry, Mandi Masden, Mister Fitzgerald, movement direction by Rickey Tripp, N’yomi Stewart, Paige Gilbert, Perri Gaffney, Prop management by Claire M. Kavanah, Public Theater, Robert O'Hara, scenic design by Clint Ramos, Skyler Gallun, sound design by Elisheba Ittoop, sound system design by Will Pickens, The Newman Theater, Theatre Reviews Limited, Tonya Pinkins, Toussaint Battiste, Vann Dukes, video design by Brittany Bland

Lorraine Hansberry’s “A Raisin in the Sun” debuted on Broadway in 1959 and appeared in London’s West End five months later. The musical adaptation “Raisin” won the Tony Award for Best Musical in 1973 and the play had two Broadway revivals in 2004 and 2014. This powerful and ground-breaking story of a financially strapped Chicago South Side Black extended family’s…

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Off-Broadway Review: The Civilians “The Unbelieving” at 59E59 Theaters (Closed Saturday, November 19, 2022)

Marin Gazzaniga’s “The Unbelieving” is based on select interviews from the 2013 book “Caught in the Pulpit: Leaving Belief Behind” by Daniel C. Dennett and Linda LaScola. The authors interview clergy from various denominations who have been grappling with their loss of faith in the divine and their fears of being hypocritical by not sharing their unbelief with their congregations/adherents….

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Off-Broadway Review: “Chester Bailey” at Irish Repertory Theatre (Closed Sunday, November 20, 2022)

November 3, 2022 | chester, Off-Broadway, on that day > | "Chester Bailey", April Ann Kline, Carol Rosegg, costume design by Toni Leslie-James, Ephraim Birney, Irish Rep, Irish Repertory Theatre, Joseph Dougherty, Joseph Verlezza, lighting design by Brian MacDevitt, Pat McCorkle, Reed Birney, Ron Lagomarsino, scenic design by John Lee Beatty, sound design by Brendan Aanes, Theatre Reviews Limited

Every once in a while, there comes along a little gem of a play that certainly will knock you off your feet, especially if it is a first-rate production and impeccably performed by two remarkable actors. This happens to be the case at hand on the stage of The Irish Repertory Theatre, where Chester Bailey penned by Joseph Dougherty is…

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