In Simon Stephens’s brilliant “Vanya,” the adaptation of Anton Chekhov’s “Uncle Vanya, Andrew Scott portrays the eight main characters from the 1897 play. He depicts these familiar characters with a degree of believability and authenticity that is beyond remarkable. That would be impressive enough if he portrayed one character at a time, but there is often more than one character…
Two half-brothers half a world apart face the decline of their mother in Samuel D. Hunter’s “Grangeville” currently on at The Pershing Square Signature Center’s Alice Griffen Jewel Box Theatre. The mood of the conversations between forty-something Arnold (Brian J. Smith) who lives in Rotterdam and his older half-brother Jerry (Paul Sparks) who still lives in Grangeville, Idaho range from…
The new play by Matthew Lombardo titled “Conversations with Mother” now playing Off-Broadway at Theatre 555, is a lighthearted and comical evening of entertainment, mostly due to the extremely talented cast. This eighty-five minute two-hander stars Caroline Aaron and Matt Doyle, who make use of their perfect timing and comedic skills to bring as many laughs as possible to the…
There is nothing about liberation, nor is there anything liberating in Bess Wohl’s “Liberation” currently running at the Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre. There is gratuitous and unnecessary nudity on stage that requires patrons to relinquish their phones before entering the theater. That nudity is completely unnecessary: the questions raised about the characters’…
Sam Shephard’s iconic 1977 “Curse of the Starving Class” is enjoying its second revival production at The Pershing Square Signature Center. The 2019 Terry Kinney revival (also at Pershing Square Signature Center) starred Maggie Siff and David Warshofsky as Ella and Weston. The current revival, directed by Scott Elliott and starring Calista Flockhart as Ella and Christian Slater as Weston,…
The full title of “The Antiquities” currently running at Playwrights Horizons is “A Tour of the Permanent Collection in the Museum of the Late Human Antiquities.” The title contains two important pairs of words: “Permanent Collection” and “Late Human.” The play begins at some point in the far distant future with two museum docents W1 (Aria Shahghasemi) and W2 (Amelia…
Abby (Marisa Tomei) has co-produced records with Gus (Arliss Howard) for thirty-two years. She had been his right hand, but her name never appears on the album as co-producer. She finds talent. Gus takes the credit. Recognition is not the only problem. Gus is a misogynist and a prime example of toxic masculinity in the workplace and elsewhere. Abby colludes…
Families of any number, age, or culture often meet for special occasions, some more special than others. Depending on the mix of those above descriptors, these get-togethers result in quite different outcomes ranging from collegial to catastrophic. These gatherings can be around any number of holidays or around some specific tradition. Those celebrating a specific tradition are often annual events….
As the characters are pressured into having their dirty laundry aired in the new play “Shit. Meet. Fan.” which is now in an extended run at MCC Theater, the list of reasons why the show does not work becomes longer than the clothesline. The cast may be the one reason the show is worth seeing, but that is not enough…
In Nancy Harris’s “The Beacon,” currently on at the Irish Repertory Theatre, four characters navigate through life’s rough waters. Three make it. One is still lost at sea. The back wall of Beiv’s (Kate Mulgrew) cottage on an island off the coast of West Cork is made almost entirely of glass and looks out onto the Atlantic Ocean. Angst and…