LGBTQ+

Broadway Review: “Summer: The Donna Summer Musical” at the Lunt-Fontanne Theatre

“Call the DJ, call the station/Dancing all across the nation/Here for every generation/Now you know your queen is back.” – “The Queen Is Back” by Donna Summer The fact is that she never really left, and the proof is that her music is alive on Broadway at the Lunt-Fontaine Theatre in the new jukebox bio-musical “Summer: The Donna Summer Musical.”…

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Off-Broadway Review: “The Gentleman Caller” at the Cherry Lane Theatre

“The Gentleman Caller” was the predecessor of Tennessee Williams first successful play “The Glass Menagerie” which opened in 1944 in Chicago and happens to be the title of a new play by Philip Dawkins which is having its New York premiere at Cherry Lane Theatre, being produced by Abingdon Theatre Company. Perhaps Mr. Dawkins should have taken the hint from…

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Off-Broadway Review: “Until the Flood” at Rattlestick Playwrights Theater

“For as in those days before the flood they were eating and drinking, marrying and giving in marriage, until the day when Noah entered the ark, and they were unaware until the flood came and swept them all away, so will be the coming of the Son of Man.” – Matthew 34:28-29 “Soon and very soon,/We are going to see…

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Off-Broadway Review: “Bright Colors and Bold Patterns” at SoHo Playhouse

The production currently playing at SoHo Playhouse entitled “Bright Colors and Bold Patterns” is a self- absorbed, ostentatious, and highly opinionated rant penned by Drew Droege who also holds court on stage for the eighty-minute overwrought outburst. The premise for the tirade is receiving an invitation to his friend’s gay wedding that states guests should eschew from wearing bright colors…

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Broadway Review: “The Parisian Woman” at the Hudson Theatre

Beau Willimon is perhaps best known for creating the successful Netflix original series “House of Cards” which is completing its final season. Much of what made the series so savvy was the way the writers exposed the chicanery and dishonesty of politics without “naming names.” The episodes wisely left making connections to current events to the viewers. Inspired by Henry…

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Off-Broadway Review: “Torch Song” Wobbles at Second Stage’s Tony Kiser Theater

Loneliness, the quest for authentic and meaningful love, the fear of rejection, the need for respect, and the excruciating separation from situations of abuse are not unique to members of the LGBTQ community of any decade or location and perhaps that is why audiences have responded positively to Harvey Fierstein’s “Torch Song Trilogy” since its Broadway production in 1982 at…

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Off-Broadway Review: “Lonely Planet” at the Keen Company at the Clurman at Theatre Row

“And this is the thing: they will train you, they will teach you to hit, they will teach you to move – but they never tell you about the fear. Nothing the people in your Corner can tell you will prepare you for the fear.” – Jody to Carl Despite the outstanding performances of Arnie Burton and Matt McGrath, the…

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Off-Broadway Review: “Charm” at MCC Theater at the Lucille Lortel Theatre

“A compliment brings the charm to the surface. When we say that a certain color compliments your eyes, we mean it brings them out. You want to bring the other person out, make them feel special.” – Mama At first glance, Philip Dawkins’s “Charm,” currently playing at MCC Theater at the Lucille Lortel Theatre, is a heartfelt play about Mama…

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Off-Broadway Review: “A Clockwork Orange” at New World Stages

“A Clockwork Orange” – a fair gloopy title. Who ever heard of A Clockwork Orange? ‘The attempt to impose upon man the laws and conditions appropriate only to a mechanical creation – against this I raise my Sword-Pen?’” – Alex Alexandra Spencer-Jones’s staging of Anthony Burgess’s “A Clockwork Orange” at New World Stages slices deeply into the human psyche where…

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Off-Broadway Review: “Tiny Beautiful Things” at the Public Theater’s Newman Theater

Watching “Tiny Beautiful Things” at The Public’s Newman Theater can be described as experiencing the vicissitudes of the human experience through the kaleidoscopic lens of sheer redemptive grace. The broken hearted, the beaten down, the bereft, and the “just broken” send their questions on coping, overcoming, and raging against all forms of the “dying of the light” to “Sugar” (Nia…

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