LGBTQ+

Broadway Review and News: “Choir Boy” at Manhattan Theatre Club’s Samuel J. Friedman Theatre

“Every place I went felt the same. Cept . . . Until I got to Drew. Everybody didn’t like me but I had . . . I had space to let me be. Now everybody looking at me like, ‘Blackeye, probation, Yup, that’s what you get.’” – Pharus to ‘AJ’ After a successful and extended run at Manhattan Theatre Club’s…

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Off-Off-Broadway Review: “The Waiting Game” at 59E59 Theaters

In the appropriately titled play “The Waiting Game” by Charles Gershman, what quickly becomes apparent to the audience is that everyone in the play is waiting for something. Sam is in a coma from a drug overdose, waiting to wake up, die while in the coma or have someone terminate his life by pulling the plug. His husband Paolo is…

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Off-Broadway Review: “Blue Ridge” at Atlantic Theater Company’s Linda Gross Theater

Abby Rosebrock introduces an interesting mélange of broken characters in her new play “Blue Ridge” currently running at Atlantic Theater Company’s Linda Gross Theater. She drops these six disparate “recovering” personalities into the vortex of a Christian halfway house in the Blue Ridge Mountains of western North Carolina. Pastor Hern (a cagey but caring Chris Stack) and his partner Grace…

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Off-Broadway Review: “Lewsiton/Clarkston” at Rattlestick Playwrights Theater

There is quite an intriguing theatrical event occurring at the Rattlestick Theater, where two ninety-minute plays separated by a thirty-minute communal dinner break takes the stage to engage an audience of fifty, in two compelling dramas. The playhouse is stripped down to its original walls discovering weathered multi paned windows and worn wainscoting, wearing years of neglect, with some sections…

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Broadway Review: “The New One” at the Cort Theatre

When he walks onto stage to applause at the Cort Theatre to begin his show “The New One,” It is evident that Mike Birbiglia has a huge following and some dedicated fans. The one-man show recently transferred to Broadway after a successful off-Broadway run at The Cherry Lane Theater. Mike Birbiglia is casual, an everyman, as he proceeds to mic…

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Broadway Review: “The Prom” at the Longacre Theatre

If anyone is looking for a fun night out, grab your significant other, or for that matter just pick yourself up, get dressed and go to “The Prom” where everyone is welcomed, and you are almost guaranteed to have a good time. The good old fashioned musical has returned to Broadway and just like those legendary shows from an era…

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Broadway Review: “Harvey Fierstein’s Torch Song” at Second Stage’s Helen Hayes Theater

Loneliness, the quest for authentic and meaningful love, the fear of rejection, the need for respect, and the excruciating separation from situations of abuse are not unique to members of the LGBTQ+ community of any decade or location, and perhaps that is why audiences have responded positively to Harvey Fierstein’s “Torch Song Trilogy” since its Broadway production in 1982 at…

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Off-Broadway Review: “Black Light” at Greenwich House Theater

“We are stardust, we are golden/We are billion-year-old carbon/And we got to get ourselves back to the garden.” (“Woodstock” by Joni Mitchell) Jomama is the performer and alter ego of Daniel Alexander Jones who created the production “Black Light” now playing at Greenwich House Theater after a successful run at Joe’s Pub. She is a soul sonic superstar and when…

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Off-Broadway Review: “Fireflies” Redefines Love and Hope at Atlantic Theater Company’s Linda Gross Theater

It is clear from the start of Donja R. Love’s “Fireflies” that Olivia Grace (DeWanda Wise) is among the disconsolate: Olivia is languishing: Olivia’s wounded heart needs healing. There is a fire in Olivia’s soul that counterpoints the fire in the 1963 Fall sky above the home in the Jim Crow South she shares with her preacher-activist husband Charles Emmanuel…

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Off-Broadway Review: “Midnight at the Never Get” at York Theatre Company

The latest offering at York Theater Company’s Main Stage Series is the new musical “Midnight at the Never Get.” The production history started with a successful short run at New York’s historical “Don’t Tell Mama” cabaret, and then a run at NYMF in 2016. Subsequently it had a six-week 2017 run at Provincetown Inn, Massachusetts and returned to Provincetown for…

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