LGBTQ+

Off-Broadway Review: “Make Believe” at Second Stage’s Tony Kiser Theater

The nature-nurture psychological debate and the predestined-free will theological debate collide in Bess Wohl’s “Make Believe” currently running at Second Stage’s Tony Kiser Theater, resulting in the brave and somewhat disturbing exploration of the blurred boundaries between what is perceived to be real life and what is perceived to be make-believe. The playwright raises several enduring questions, including whether there…

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Off-Off-Broadway Review: “Just Outside the Door” at the Broadway Bound Theatre Festival

Necromancy does not fare well in Esteban R. Alvarez III’s “Just Outside the Door” which just ended its three-performance run at the Broadway Bound Theatre Festival. The play’s protagonist is Robert (a troubled yet charming Danny Bryck) the desperate grandson who kidnaps his dying Abuela (a feisty and funny Debra Cardona) in order to save her, but must learn to…

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Opera Review: “Stonewall” at the Rose Theater in Jazz at Lincoln Center

To celebrate its third year of presenting an LGBTQ+ opera in the month of June – and the 50th Anniversary of the Riots at Greenwich Village’s Stonewall Inn – the New York City Opera commissioned the opera “Stonewall” currently running at The Rose Theater in Jazz at Lincoln Center for five performances through Friday June 28, 2019. The one act…

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Off-Broadway Review: “A Strange Loop” at Playwrights Horizons

Last season, two off-Broadway plays – “Daddy” and “Slave Play” (both by Jeremy O. Harris) – highlighted significant issues about the self-identity of young black gay and queer men and raised rich and enduring questions about the role of family, friends, culture, and “indifferent yet fetishizing white gays” in that process of discovery. This season, Michael R. Jackson’s original musical…

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Off-Broadway Review: “Dying City” at Second Stage Theater’s Tony Kiser Theater

With renewed concerns about an escalation of conflict in Iraq and the possibility of a new war initiative there, one would tend to believe that the revival of Christopher Shinn’s “Dying City,” currently playing at Second Stage’s Tony Kiser Theater, would provide new insights into the earlier Iraq War and its effects on the soldiers who served here and on…

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Off-Broadway Review: Primary Stage’s “Little Women” at Cherry Lane Theatre

“I can’t abide seeing a body stuffed into the wrong role.” – Jo to Meg in “Little Women” Kate Hamill’s retelling of Louisa May Alcott’s “Little Women” plays at Primary Stages at an auspicious time. Amid unprecedented national and political division, issues of gender identity, gender equality, and gender protection continue to be critically important. Individual rights and freedoms are…

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Off-Broadway Review: “Something Clean” at the Black Box Theatre in the Harold and Miriam Steinberg Center for Theatre

Charlotte and Doug Walker’s son Kai will be home from prison in three months to begin his court remanded probation. Kai is a white university student athlete who was convicted of raping a black female student behind a dumpster at the school and is half-way through his six-month sentence. Kai’s transgression has shaken the Walker’s world and rent any sense…

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Off-Broadway Review: “The Pink Unicorn” at the Episcopal Actors’ Guild

“I am gender queer, Ma. Look it up.” – Jolene Lee to Her Mother Trisha The LGBTQ+ communities have undergone significant and healthy upheaval since Elise Forier Edie developed “The Pink Unicorn” in 2011 at The Blue Mountain Center in the Adirondack Mountains of New York State. Although the playwright has attempted to update the script, its present incarnation currently…

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Off-Broadway Review: “BLKS” in the Newman Mills Theater at the Robert W. Wilson MCC Theater Space

Poet-playwright Aziza Barnes puts many ingredients into their script blender to whip up a “comedic look” at the lives of Octavia (Paige Gilbert), Imani (Alfie Fuller), and June (Antoinette Crowe-Legacy, three twenty something black women living in New York City – a city where black lives seem not to matter and where, for that reason, it has become difficult for…

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Broadway Review: “Be More Chill” at the Lyceum Theatre

It is difficult to separate “Be More Chill,” currently running at the Lyceum Theatre, from the hype surrounding what has become a teenage cult musical since its 2015 run at the Two River Theater in Red Bank, New Jersey and its recent off-Broadway run at The Irene Diamond Stage at The Pershing Square Signature Center in 2018. This hype has…

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