There are two questions you should probably ask yourself when deciding to attend a performance of the revival of “Dancin” which was originally produced in 1978, when it was nominated for seven TONY awards. First, do you like the choreography of Bob Fosse and second, do you like dance? The first is actually not as important as the second, which…
Most, if not all, of my colleagues did not like “Bad Cinderella.” However, the performance I recently attended was sold out and that often undervalued pundit known as “the audience” could not have been more appreciative of what they experienced on the stage of the Imperial Theatre. It is important for us theatre critics to remember that often unheralded phenomenon…
I am an LGBTQ+ able-bodied and hearing person walking into the lobby of one of my favorite venues: The Public Theater. There is a notice on the door to mask up before entering. I am early and after masking up and picking up my ticket, I lean up against one of the columns in the lobby and check out my…
Unlike the typical one-thousand-piece jigsaw puzzle where the completed puzzle matches the image on the cover, “The Collaboration’s” dénouement and resolution are nothing like the playwright’s supposed intention when writing the script. Anthony McCarten sets us up for a scuba diving expedition. The playwright teases us into a deep-sea dive into the wreckage that is the lives of two disparate…
“Some Like It Hot” a modern day, good old-fashioned musical has arrived on Broadway at The Shubert Theatre, and it delivers on all levels, making for a very enjoyable evening of musical comedy. It is based on the motion picture of the same title, but the book by Matthew Lopez and Amber Ruffin is clever, witty, and updated to reflect…
There are two paths to “disappearance” in David Cale’s engaging “Sandra” currently running at the Vineyard Theatre. The audience discovers that Ethan Martin’s path has been well thought out. Sandra Jones’ (Marjan Neshat) path on the other hand is completely reactive, random, and riddled with danger. Two paths diverge in Puerto Vallarta, Mexico, and the choices made by both on…
Broadway has had quite a roster of juke box musicals grace the stage in the past and it seems that this season will add a few more to the archive. Opening at The Stephen Sondheim Theatre is “& Juliet” featuring music and lyrics by Max Martin and Friends and a book by David West Read. Songs from Mr. Martin’s repertoire…
Marin Gazzaniga’s “The Unbelieving” is based on select interviews from the 2013 book “Caught in the Pulpit: Leaving Belief Behind” by Daniel C. Dennett and Linda LaScola. The authors interview clergy from various denominations who have been grappling with their loss of faith in the divine and their fears of being hypocritical by not sharing their unbelief with their congregations/adherents….
Currently running at Classic Stage Company, “A Man of No Importance” chronicles gay middle-aged bus conductor Alfie Byrnes’s (a gloomy and dispirited Jim Parsons) struggles to claim his agency in 1960s Dublin, Ireland’s repressive homophobic environment. His sexual status defines him as a criminal; however, Alfie self-defines as an ordinary man who secretly loves Robbie Faye (a spirited and generous…
There is too much noise on the set of Victor I. Cazares’s “american (tele)visions” currently running at New York Theatre Workshop (co-produced with Theatre Mitu). Although that noise comes from what is certainly a dynamic and innovative set design by Bretta Gerecke and a clever technical design by Theatre Mitu’s Justin Nestor, Alex Hawthorn, and Kelly Colburn, it unfortunately masks…