i am, i will, i do

i am, i will, i do

Off-Broadway Review: “The Other Josh Cohen” at the Westside Theatre/Downstairs

“The Other Josh Cohen,” currently running at the Westside Theatre/Downstairs, has been bemoaning the hapless and lackluster life of Josh Cohen (Steve Rosen) through his Doppelganger narrator Josh (David Rossmer) since October 2012. That’s a long time to celebrate having one’s apartment robbed of everything, rehearsing one’s dysfunctional family, recounting a string of failed romantic relationships, and resolving the mystery…

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Off-Broadway Review: “Thom Pain (based on nothing)” at The Pershing Square Signature Center’s Irene Diamond Stage

In this revival of “Thom Pain (based on nothing)” at The Pershing Square Signature Center’s Irene Diamond Stage, Will Eno steps over, under, and in between the resting places – and the writing desks – of the literary canon’s most prominent surrealist writers of the past and present. Eno seems to stop there to chat, listen, tremble (who wouldn’t), and…

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Broadway Review: “The Lifespan of a Fact” Reexamines the Parameters of Truth at Studio 54

Emily Penrose (a guarded and steely Cherry Jones), Editor-in Chief of a high-end publication, hopes to score big on the publication of a “lyrical essay” written by longtime associate John D’Agata (a languid and tenderly resilient Bobby Cannavale). She has shut down the presses and pulled the story about “Congressional Spouses” to publish the essay about the suicide of a…

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Regional Review: “Pamela’s First Musical at Two River Theater

The familiar phrase “Everything old is new again” is a perfect way to describe the current production at the delightful Two River Theatre in Red Bank, New Jersey. It is an old-fashioned musical comedy featuring music by the legendary Cy Coleman with a book written by the brilliant playwrights, Wendy Wasserstein and Christopher Durang, entitled “Pamela’s First Musical.” It is…

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Broadway Review: “The Nap” at Manhattan Theatre Club’s Samuel J. Friedman Theatre

One would think mounting a Broadway show about snooker would be perilous. Richard Bean’s “The Nap,” currently running at Manhattan Theatre Club’s Samuel J. Friedman Theatre, unfortunately confirms that fear. Think “The Hustler” staged as a farce with poorly developed characters whose conflicts are not believable and drive a less than satisfying plot. Dylan Spokes (an energetic and engaging Ben…

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Broadway Review: “Bernhardt/Hamlet” at Roundabout Theatre Company’s American Airlines Theatre

Sarah Bernhardt (an intense and commanding Janet McTeer) struggles with her decision to play Shakespeare’s “Hamlet” not because of self-doubt or weakness, but because she is not sure William Shakespeare wrote the tragedy all that well or fully understood the play’s protagonist. During rehearsals for the play and for Bernhardt’s groundbreaking role as Hamlet, she argues with her cast about…

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Off-Broadway Review: “Be More Chill” at The Irene Diamond Stage at The Pershing Square Signature Center

It is difficult to separate “Be More Chill,” currently running The Irene Diamond Stage at The Pershing Square Signature Center, from the hype surrounding what has become a teenage cult musical since its 2015 run at the Two River Theater in Red Bank, New Jersey. This hype has been heightened by a cast recording and an extensive marketing campaign. What…

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Off-Broadway Review: “Long Lost John: A Lennon Family Story” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

Currently running at the Broadway Bound Theatre Festival at the 14th Street Y, the new play entitled “Long Lost John: A Lennon Family Story” by Eddie Zareh examines the early childhood of John Lennon. It addresses the complications and grief that arose from first being taken from his mother and put in the care of his Aunt Mimi by order…

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Off-Broadway Review: “The House That Will Not Stand” Celebrates Freedom’s Prodigality at New York Theatre Workshop

Beartrice Albans (a resolute and Machiavellian Lynda Gravátt) spent her life under the oppressive laws that governed people of color in the colony of Louisiana. Specifically, she was Lazare’s placée a status that allows her as a woman of color to set up common law households with a white man to circumvent legal prohibitions. Beartrice’s mother signed the papers that…

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Off-Broadway Review: “Skintight” at the Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre

Thrown under the bus by her ex-husband Greg, a carping, selfish, completely self-centered Jodi Isaac (Idina Menzel) takes the red-eye from Los Angeles to New York City to “celebrate” her a self-assured father Elliot Isaac’s (Jack Wetherall) birthday. However, the real reason for her visit is that she “just, like couldn’t physically be in LA knowing” Greg and his new…

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