history

history

Broadway News: “Once On This Island” at Circle in the Square Theatre to Close Sunday January 6, 2019

“Once On this Island” was certainly an enchanting and memorable visit twenty-seven years ago and that may in fact cloud the opinions expressed when recently returning to this island and commenting on what had changed. Some audience members may have experienced finding an unknown out of the way place that had a simple and charming ambience, with friendly locals that…

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Off-Broadway Review: “Midnight at the Never Get” at York Theatre Company

The latest offering at York Theater Company’s Main Stage Series is the new musical “Midnight at the Never Get.” The production history started with a successful short run at New York’s historical “Don’t Tell Mama” cabaret, and then a run at NYMF in 2016. Subsequently it had a six-week 2017 run at Provincetown Inn, Massachusetts and returned to Provincetown for…

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Off-Broadway Review: “Hitler’s Tasters” at IRT Theater

Kudos to the team of women (all women!) that wrote, directed, performed in, and filled all positions in the creative team for “Hitler’s Tasters” currently running at IRT Theater. The play examines the conflicts of the fifteen German young women who were conscripted to be Hitler’s tasters. They were initially transported daily to and from a school to fulfill their…

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Off-Broadway Review: The Custom Made Theatre Company’s “Kurt Vonnegut’s Mother Night” at 59E59 Theaters

“We are what we pretend to be, so we must be careful about what we pretend to be.” – Howard Campbell Howard Campbell’s (an even tempered and soft-spoken Gabriel Grilli) non-linear journey from Nazi Germany’s radio propaganda machine in World War II to his self-execution in 1961 is the subject of The Custom Made Theatre Company’s “Kurt Vonnegut’s Mother Night,”…

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Off-Broadway Review: Primary Stages’ “Final Follies” at the Cherry Lane Theatre

Given the long-term relationship that existed between A.R. Gurney and Primary Stages, it is befitting that the prolific playwright requested his agent to send his newest one act play “Final Follies” to the theater company for production in 2017. It turned out to be ominously and aptly titled since he passed soon after, leaving this to be the last play…

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Off-Broadway Review: “Long Lost John: A Lennon Family Story” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

Currently running at the Broadway Bound Theatre Festival at the 14th Street Y, the new play entitled “Long Lost John: A Lennon Family Story” by Eddie Zareh examines the early childhood of John Lennon. It addresses the complications and grief that arose from first being taken from his mother and put in the care of his Aunt Mimi by order…

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Broadway Review: “Straight White Men” at The Hayes Theater

When entering The Hayes Theater to see “Straight White Men, the audience is bombarded by loud music – so loud, one cannot speak to one’s neighbor. Person in Charge 1 (more later) approaches to ask if the music is too loud. If one answers ‘yes,’ one gets a free set of earplugs. If one answers ‘no,’ one finds out later…

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Off-Broadway Review: National Yiddish Folksbiene’s “Fiddler on the Roof” at the Museum of Jewish Heritage

There is considerable Jewish culture captured in the musical “Fiddler on the Roof” the iconic musical that has won a respectable reputation in theater history. Since it first opened on Broadway in 1964 to win nine TONY awards, “Fiddler” went on to become the longest running Broadway musical. Since that original production, there have been five Broadway revivals. The collaboration…

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Broadway Review: “The Play That Goes Wrong” at the Lyceum Theatre Extends Through January 6, 2019

During the April 2, 2000 matinee performance of Julie Taymor’s “Green Bird” at the Cort Theatre, a flying wall accidently struck actor Reg. E. Cathey during a set change in the dark. This unexpected interruption resulted in the cancellation of the performance and sent Cathey to the hospital for x-rays. Fortunately, the actor was not seriously hurt and was reported…

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Off-Broadway Review: “On a Clear Day You Can See Forever” at Irish Repertory Theatre on the Francis J. Greenburger Mainstage

Both upper-east-side resident Daisy Gamble (Melissa Errico) and psychiatrist Dr. Mark Bruckner (Stephen Bogardus) need clarity in their lives. Daisy lives in the Barbizon Hotel for Women and is applying for a job at Latimer and Latimer and has “until the afternoon” to quit smoking to meet the company’s policies. She is down to her “last month’s rent. Daisy does…

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