The box office for the critically lauded and wildly popular new musical, Kimberly Akimbo, will open on Wednesday, September 7 at 10 a.m. at the Booth Theatre (222 West 45th Street). The Booth Theatre box office will be open Monday through Saturday from 10am to 6pm. After opening to rave reviews last fall, Kimberly Akimbo will begin previews on Broadway…
Tony and Grammy-nominated multi-platinum recording artist Josh Groban and Tony Award winner Annaleigh Ashford will both return to Broadway this spring in Sweeney Todd: The Demon Barber of Fleet Street, directed by Thomas Kail. Featuring music and lyrics by Stephen Sondheim, and a book by Hugh Wheeler, Sweeney Todd: The Demon Barber of Fleet Street will begin performances on February…
The most recent revival of the 1987 Broadway musical “Into the Woods” featuring music and lyrics from the late, great Stephen Sondheim is now making its triumphant return, playing at the St. James Theatre. It is without a doubt a fitting tribute to this musical theatre giant. Director Lear deBessonet has assembled an unrivaled cast of astute actors, who are…
The Outer Critics Circle (OCC), the official organization of writers on New York theatre for out-of-town newspapers and national publications, is pleased to announce the winners of the 71st Annual Outer Critics Circle Awards, honoring the 2021-2022 Broadway and Off-Broadway season. The Broadway play The Lehman Trilogy leads the pack with six wins, including Outstanding New Broadway Play, followed by…
The nominees for the 66th Annual Drama Desk Awards: Outstanding Play Cullud Wattah, by Erika Dickerson-Despenza, The Public Theater English, by Sanaz Toossi, Atlantic Theater Company Prayer for the French Republic, by Joshua Harmon, Manhattan Theatre Club Sanctuary City, by Martyna Majok, New York Theatre Workshop Selling Kabul, by Sylvia Khoury, Playwrights Horizons The Chinese Lady, by Lloyd Suh, The…
Two deeply significant plays by Jeremy O. Harris – “Daddy” (Off-Broadway 2019) and “Slave Play” (Broadway 2021) – highlighted significant issues about the self-identity of young black gay and queer men and raised rich and enduring questions about the role of family, friends, culture, and “indifferent yet fetishizing white gays” in that process of discovery. This season, Michael R. Jackson’s…
Award Announcement: The Outer Critics Circle 71st Annual Outer Critics Circle Awards Nominees By David Roberts Theatre Reviews Limited The Outer Critics Circle (OCC), the official organization of writers on New York theatre for out-of-town newspapers and national publications, are pleased to announce the nominees for the 71st Annual Outer Critics Circle Awards, honoring the 2021-2022 Broadway and Off-Broadway season….
“The best laid schemes o’ mice an’ men / Gang aft a-gley.” – “To A Mouse” by Robert Burns Despite his claim to be “quite content to keep [his] own counsel, as [he] sees fit, and leave the jibber-jabber to the riff-raff, the riff-raff,” former hangman Harry Wade (played with a menacing panache by David Threlfall) seems quite content to…
“Since its premiere at The Public in 1976 and its subsequent transfer to Broadway later that year, much has happened to continue to impact the lives of the women of color celebrated by Ntozake Shange in her choreopoem “for colored girls who have considered suicide/ when the rainbow is enuf” currently running at the Booth Theatre for the second time…
The revival of “Take Me Out” by Richard Greenberg which opened at The Helen Hayes Theater, in many ways does not feel as if it were written twenty years ago, given the current political climate and the conservative challenges of LGBTQ+ rights. The story about a major league baseball star surprisingly coming out in a public arena, deals with the…