Broadway has had quite a roster of juke box musicals grace the stage in the past and it seems that this season will add a few more to the archive. Opening at The Stephen Sondheim Theatre is “& Juliet” featuring music and lyrics by Max Martin and Friends and a book by David West Read. Songs from Mr. Martin’s repertoire of solid hits from the past four decades are strategically interwoven into a clever book by Mr. Read which deals with the rewriting of Shakespeare’s “Romeo and Juliet.” Director Luke Sheppard has assembled a wonderfully diverse and talented cast to deliver this unique take on one of the most well-known romantic stories ever written.

The plot involves Shakespeare’s wife, Anne Hathaway (a spunky Betsy Wolfe), who is dissatisfied with the classic love story and wants to rewrite the ending without Juliet (a powerful Lorna Courtney), killing herself when she awakens, but goes forward to live life to the fullest. Shakespeare (an anguished Stark Sands), disagrees and combats the rewrite at every turn. As the lover’s tale is rewritten it is played out in delightful scenes which occur in between the narrative, as the couple battle for the upper hand. Acknowledging that this is not a new concept, it can be said that it is most entertaining because of the remarkable execution of the cast and proficient writing of Mr. Read, puns, and all.

Ms. Wolfe creates a strong, confident Anne with conviction and vocals that are pure and powerful. Mr. Sands turns in a vulnerable Shakespeare, witty, romantic, and wise. Melanie La Barrie as the nurse, Angelique is a joy, commanding her every scene in which she is featured and entertains with a fine comedic flair. Justin David Sullivan making a memorable Broadway debut as Juliet’s best friend is a delight and captivates the audience with their charm. Mr. Walker easily captures the bewildered chauvinist that inhabits Romeo with just enough foolish and idiotic behavior without creating a caricature. Philippe Arroyo making his Broadway debut shines as the confused Francois, innocent and fearful, but determined to find his way. Paulo Szot lends his beautiful, powerful vocals to Lance as he tries to navigate both his and his son’s romantic relationships. The entire supporting ensemble is wonderful.

Mr. Sheppard keeps the action moving at a brisk pace keeping the characters real and dimensional without falling prey to stereotypes. The choreography by Jennifer Weber is energetic but lacks variety and ingenuity. Costume design provided by Paloma Young collides renaissance with a punk bohemian vibe which creates a visual that connects perfectly with the frivolous behavior of the characters. Lighting by Howard Hudson dazzles and electrifies the continuously moving sets designed by Soutra Gilmour.

Those audiences looking for a heavy, thought-provoking piece of theatre should stay away from this vibrant musical. If you are looking for a wonderful, entertaining evening, delivered by a first-rate cast, do not hesitate, and purchase a ticket soon. It will be a joy to slip away into the magic of musical theatre for a couple of hours and walk away contented and smiling, perhaps even singing one of the many hits that may still be lingering in the back of your mind.