Fans of jukebox musicals and Neil Diamond will be thrilled with the current production of “A Beautiful Noise” now playing at the Broadhurst Theatre. This production is packed with plenty of the superstar’s mega hits that will entice any audience member to start singing along, which happens a couple of times during the show at the invitation of Will Swenson who portrays the musical legend. As far as being classified as good theatre, it falls short, but the entertainment value comes in with a perfect ten. This shortcoming is mostly the fault of book writer Anthony McCarten who uses a familiar concept of an older persona, reflecting on their career during sessions with their therapist. The dialogue reveals general information about Mr. Diamond’s life and marriages, as the therapist tries to interpret the meaning of several songs’ lyrics. Compared to the musical numbers that coincide with this activity, the information is underwhelming and less than eventful. Even with these stale and slow vignettes, director Michael Mayer moves the show along at a good pace, utilizing all the talents of a diversified and energetic cast.

The cast is multi-talented and versatile, showcasing all their abilities and techniques to deliver some top-rate entertainment. The ensemble must be applauded, although choreographer Steven Hoggett does not totally tap into the talent he has at hand, delivering some pedestrian production numbers. The lighting design by Kevin Adams manages to create some dramatic moments as well as provide adequate excitement for electrifying concert scenes. Costumes designed by Emilio Sosa rely heavily on sequence and fringe, reminiscent of the stars trademark and reflect time periods with authenticity.

Mr. Swenson has the enormous task of portraying Mr. Diamond throughout his six-decade career, not including the present, where he appears with his therapist (a convincing Linda Powell). It is a marathon performance being on stage the entire time except for several costume changes. He channels Mr. Diamond’s pure, soothing voice accented by a renowned gravel perfectly, paying a proper homage to the legendary star. His performance is admirable and satisfying, sure to please every nostalgic audience member. Mark Jacoby is fine as Neil Diamond present, stuck in the therapist office, doing his best to overcome the banal dialogue afforded him. His moment does come in a final scene, when he comes face to face with his younger self and delivers an emotional rendition of “I Am…. I Said.” Robyn Hurder as second wife Marcia Murphey is a powerhouse vocally and equally impressive with two production numbers showcasing her dancing talent.

The show does live up to its title, creating a beautiful noise, but those looking for a well-crafted biography or more insight into this musical icon and what makes him tick, will be a bit disappointed. If you are one of the many boomers who are attracted to the music and will delight in the memories it might invoke, you will not be disappointed.